ECKLEBURG BOOK CLUB | Something Wrong with Her: A Hybrid Memoir by Cris Mazza

Something Wrong with Her by Cris MazzaComing Soon from Jaded Ibis Productions

The most unusual true love story you will ever read.

SOMETHING WRONG WITH HER

by Cris Mazza
with Mark Rasmussen on Tenor Sax

ART: Images by Cris Mazza

SOUND: TBA

I feel beyond caring who know about my sexual ‘condition’….  Growing up female in America — what a liability, Erica Jong said….  My failures, my dysfunction, my frigidity — feminists of 2nd and 3rd wave alike chastise me for the terminology, which places the blame on and finds something ‘wrong’ with me. —Cris Mazza, from the preface

“SOMETHING WRONG WITH HER is certainly the most unusual true love story you will ever read, layering recollected scenes and psychological analysis with journals, emails, letters, yearbook inscriptions, excerpts from the author’s past literary works, jazz metaphors, footnotes and more. Cris Mazza’s indefatigable self-scrutiny creates an experience that verges on the psychedelic. Reading this book is less like reading a typical memoir than like spending time in someone’s else’s head, or someone else’s life. The generous decision of literary love-object Mark to allow his writings to be included here adds a fourth — or is it a fifth? — dimension to this unprecedented document.” —Marion Winik, author of Highs in the Low Fifties, First Comes Love, and Rules for the Unruly: Living an Unconventional Life

 


From Something Wrong with Her: A Hybrid Memoir

by Cris Mazza

 

Virginity

Yes, I was one, all through college. A virgin in too many ways. A virgin whose first kiss had been milestone enough that subsequent occasions for kisses still triggered uneasiness, but not nearly as much trepidation as caused by the virginity itself. Not — as some have assumed — anxiety fostered by relentless itchy lust. If that were the case, then prospective situations would not have resulted in the resistant rigidity with which advances were met.

If I were to enumerate my angst, the bullet points would be:

  1. How was it done? And how would I know how to do it (when the moment came)?
  2. What if I didn’t know what to do and was really bad at it?
  3. What if it hurt/what if I don’t like it?
  4. I’m supposed to like it, I’m supposed to crave it, but all I do is resist and avoid it, what’s wrong with me?

In terms of importance, they shuffled. Sometimes #1 was the most vital, sometimes one of the others. But most often it was #4. READ MORE

 

 


 2013 author photo

Cris Mazza’s first novel, How to Leave a country, won the PEN / Nelson Algren Award for book-length fiction. Some of her other notable earlier titles include Your Name Here: ___, Dog People and Is It Sexual Harassment Yet? Mazza’s fiction has been reviewed numerous times in The New York Times Book Review, The Wall Street Journal, MS Magazine, Chicago Tribune Books, The Los Angeles Times Book Review, The Voice Literary Supplement, The San Francisco Review of Books, and many other book review publications.

 


 

ECKLEBURG BOOK CLUB | Melancholia (An Essay) by Kristina Marie Darling

Kristina_MarieDarling-Melancholia_(An_Essay)-melancholia_book_cover_final

Ravenna Press | Poetry | $10.00 | ISBN: 978-0-9851520-1-7

 

noctuary, definition (verb)

1.  To keep a record of what passes in the night.  2.  To wake from a dream–to begin a series of portraits instead.  3.  To depict the beloved and discover cracks in his perfectly white teeth.  4.  To experience a heightened awareness of one’s senses.  5.  To ask, to consider, to be led away from.  6.  To examine a familiar painting–to imagine a blank canvas in its place.  7.  To select and omit, as a poet would.  

 


Kristina Marie Darling is the author of eight books of poetry, which include the forthcoming Petrarchan (BlazeVOX Books, 2013) and Palimpsest (Patasola Press, 2012). Her awards include a Yaddo residency and an artist grant from the Kittredge Fund. She is currently working toward a Ph.D. in Poetics at S.U.N.Y.-Buffalo.


 

BRIEF | A Novel by Alexandra Chasin

 

 

Brief is the fictional monologue of a monologue of an art vandal addressing a judge.  Published in 2012 by Jaded Ibis as an iPad app, Brief randomly locates images from a cache of over 600 and then wraps the text around them. Though the text is fixed, the randomization means that the text and images are never configured the same way twice (or rather, approximately 1 in 340,068,392 times).  The following screen grabs represent two configurations of the first six paragraphs of the novella.  (Available at the App Store now, Brief will be available in print and ebook formats early in 2013.)

 

 


CONFIGURATION ONE

 

 

 


 CONFIGURATION TWO

 


“Before I became a full-time creative writer, I trained as a scholar in 20th Century U.S. literature and culture, and then taught in those fields for many years (focusing on gender, race, sexuality, and popular culture). Then I shifted fields to become a full-time writer and teacher of writing, but I brought my scholarly training and my scholarly interests with me, which explains my preoccupation with representations of history in creative writing. I am engaged with the infinite ways that historical events, people, and artifacts can and do represent themselves across genres and even across media. I tend to see literature as a set of artifacts constructed in and through a broad network of social practices. I tend to see language as replete, with enough possibilities, lithe, versatile, extensive enough, and worth all the compromise, even if beauty did not sneak in and steal the show. I tend to anaphora.” Alexandra Chasin