Lament was a powerful tool once. The Iliad, perhaps the greatest of the epics of old, ends with three women’s voices mourning Hector, declaring what his death at the hands of Achilles would now mean for each of them. In Hebrew scripture, what was most often lamented was spiritual failure on the part of Israel, the resulting disorder wreaking havoc on the people and land. The prophet Isaiah condemned the wealthy who in a period of economic downturn, rather than helping their fellow Hebrews get back on their feet, bought land cheap from underneath them. They might have come out with riches from taking advantage of others’ money problems, but, in the end, they would be left without friends: “Woe unto them that join house to house, that lay field to field, till there be no place, that they may be placed alone in the midst of the earth!”
Over the years, Marshall Surratt has committed himself to writing about or photographing people who have sought to make a difference, including Rosa Parks, Anne Braden, Pete Seeger, Wendell Berry, and Wes Jackson. Other times he has turned attention to his family lore, to sort out past wrongs and attempts at penance, believing in self-examination, too. Articles and reviews of his have appeared in Christian Century, Christianity & Crisis, Texas Observer, and Dallas Morning News, as well as other publications.
The internet had promised me the “cutest, fluffiest day ever.” So when we saw the sign for the cat cafe while out shopping in Seoul’s Itaewon neighborhood, I squealed. On it, cartoon cats pranced around photos of the real cats waiting upstairs to love us. I turned to my boyfriend with eyes wide and hopeful, and he smiled and nodded, said with his ever-indulging attitude, “We can go.”
Paulette Perhach’s writing has been published in the New York Times, Elle, Slate, Cosmopolitan, Marie Claire, Yoga Journal, McSweeney’s Internet Tendency, and Vice. Her book, Welcome to the Writer’s Life, was selected as one of Poets & Writers’ Best Books for Writers.
You might think if you can care for human children that you are qualified to care for a cat, but you would be wrong. Three children came to stay for part of the summer and brought their kitten with them. This feline was offered as a kind of bonus to the package deal—you take three, lovely children for a few weeks, and we’ll throw in a cute kitten—free. (Not that I paid to take the kids, nor should I add, was I being paid. In retrospect, I should have demanded remuneration in order to buy life insurance on that cat.)
A. E. Cheetham is a writer and reader of novels who occasionally feels the compulsion to write humorous memoir. She is currently seeking representation for her humorous MG novel, Fixing Up Aunt Katie, as well as her YA thriller, The Conference Go-er.
It’s hard not to feel helpless as we witness the dissolution of cooperation around the planet, along with the dying gasps of dialogue among people who hold different views. This is not new, but it’s painful to watch the unravelling of civility and kindness in our world. We are living at a time when the spiritual teachings that many of us rely on to guide and inspire us are being turned into instruments of intolerance and hatred. So what are we to do? Where are we to look for an example that we can admire? One place, which can’t be accused of taking sides in any present dispute, is Classical Greek Literature.
Michael Gray is the author of The Flying Caterpillar, a memoir, and the novels Asleep at the Wheel of Time, about whales, aliens, and humans, and Falling on the Bright Side, about his experience working with the disabled. He is the co-founder of Friends in Time (a non-profit he founded with a friend who has ALS); and past Board president of New Mexico Parkinson’s Coalition and Pathways Academy (a school for kids with autism and other learning issues). A regular contributor to various journals, including Kosmos, and Eckleburg Review, Gray writes a weekly blog on www.michaelgrayauthor.com.
We were trying to get a porcupine to fight the wild turkeys.
It started when Chris lobbed a Frisbee over my head and it sailed into the thicket of high grass surrounding the shed. Wading in, I peeled back layers of green overgrowth in search of a round, yellow glimmer of plastic. Instead, sunlight flashed upon the little guy’s spiky head just before he scurried off with instinctual terror to hide under the shed. I called to him in as melodious a voice as I could muster, then whistled some simple nonsense, but to no avail.
It was summer, our annual family vacation in rural New Hampshire, and none of us had much experience taming wild animals and forcing them to do our bidding. Enlisting the help of the Internet, we found step-by-step instructions that were written in such plain and un-ironic language that it read like something out of a fairy tale: Find an oar, preferably an old one that has been frequently used by kayakers. Chop it into tiny splinters. Place the splinters in a small bowl of lightly salted water situated in an open field not far from the porcupine’s den, some time during the early-dawn or late-dusk hours of the day. The porcupine will find the bowl strangely tantalizing, and will emerge to investigate.
Cory Johnston is a writer, editor, and teacher from northern New Jersey, where he holds an MFA from Fairleigh Dickinson University. He has been involved with The Literary Review, or TLR, since 2012, and currently serves as Associate Nonfiction Editor. Outside of the literary world, you’re likely to find him seeking out rare and delicious sandwiches, following the summer Phish tour, or trying to befriend the local squirrel population.
Eckleburg No. 21 curates a beautiful selection of traditional and genre-bending fiction by Gertrude Stein Award winner, Faerl Marie Torres, Agnes Scott Poetry Award winner, Jessica Melilli-Hand, eleventh century Sanskrit translation by Brishti Guha, artwork by Sandra Shugart and more.
Somewhere the poet says, “I tried each thing, only some were immortal and free.” The poet says that, or I am misquoting the poet, or misremembering or the poet is not who I thought he is. I saw a tornado gathering over the Holyoke range today; it looked calm.
Thomas Cook is the author of the forthcoming poetry collection Light Through a Pane of Glass. Other essays from the series here featured have appeared in Rappahannock Review and The Dead Mule. He lives in Los Angeles and is an editor and publisher of Tammy.
Disregard the drooling mouths, the incoherent babbles, the lack of fine motor skills: babies are geniuses. At birth, babies can discern every speech sound found in every language. They may not produce much more than dirty diapers, but they absorb the sound profiles of languages like sommeliers sampling pinot grigios. Send a Japanese baby to Britain, and she’ll distinguish red from led. Drop a Brazilian baby in southern Africa with the Ju|’hoansi, and he’ll crack the code of their consonantal clicks. An American baby can decipher that meaning lives in the tones of Thai. Unfortunately, the same cannot be said for American men, and when I decided to move to Thailand in 2011, I soon realized that my linguistic genius had been discharged decades ago alongside a spate of soiled diapers.
Dan Brubaker is a science writer and video producer originally from Atlanta, Georgia, but residing along California’s North Coast. He earned his MA in science writing from Johns Hopkins University after studying biological anthropology at Emory University. His creative nonfiction has appeared in Catamaran, Under the Sun, and BlueSci. Currently, he makes a living in communications and as a freelance medical writer, but evolutionary biology, psychology, and behavior remain his fields of interest. Dan produces an animated, science series on YouTube called Studies Show—a passion project that serves up new research findings with a side of laughs.
In 11th grade creative writing, my poetry dissolved. The overwhelming crush of criticism and the realization that I had no talent stole my brain. When I tried to compose poetry, I threw up my hands with esoteric senseless gibberish. My first husband-partner-lover Scott was a poet. His poetry collection of Apricot was astonishingly clear. He filled each word with a fragrance. It was published in 1973. When he read in public, I knew I could never compete. He was the writer in the family. I was the accountant money-man. I let it go. I descended into the closet about writing.
I have published work in Issue #22 of Really Systems (2019), Free Verse Revolutions June 2019, Emeritus Chronicles (2019), Senior Stories WEHO (2018, 2019) and My Life is Poetry (2008). I’m a standup comic that has performed at The Ruby, TAO and The Blackbox Theater at the GLBT Village in Hollywood. I’ve performed my short stories at AKBAR and they’ve been recorded on The Queer Slam podcast for iTunes.
You’d think ‘bur’ would have two r’s, the hooks on the letter resembling those on the prickles. Our dogs do not love the cocklebur’s almond-sized fruit, especially Fern, whose fur is the consistency of bad wig hair. The burs cling to Fern like Velcro, using her beard, her tail, her fuzzy pantaloons to disperse to new locations, determined to survive. A member of the daisy family, the cocklebur grows in waste places, places to which its prickly seeds can be blown or washed in, places like the lakebed trails where my husband Marc and I walk our dogs several times a week. As the Kern River and Lake Isabella’s waters recede with the Sierra’s diminishing snowmelt, bottles and driftwood and sunglass frames deposit themselves on the freshly formed beaches. Cocklebur plants, too.
Ann Beman is Tahoma Literary Review‘s nonfiction editor and also serves as prose reviews editor for the Museum of Americana online journal. Her work has appeared in DIAGRAM, Bombay Gin, Mojave River Review, and some other cool places. But nowhere’s as cool to her as where she lives with two whatchamaterriers, a chihuahua, and her husband in Kernville, on the Kern River, in Kern County. Cue the banjos.
Essay and Other Nonfiction Workshops at Eckleburg
Submit Your Nonfiction
We accept polished creative nonfiction/essays up to 8,000 words year round, unless announced otherwise. Preferences veer toward shorter works under 1500 words with an arts and culture focus. If you wish to include a bio, keep it short, under 200 words. Submit your nonfiction.
Essay Collections and Memoir Manuscripts
We publish short works at The Doctor T. J. Eckleburg Review. At this time, we do not publish novel, long memoir, essay collections, story collections or poetry collections at The Doctor T. J. Eckleburg Review. We do offer manuscript workshops at The Eckleburg Workshops. If you are looking to place a manuscript, we can suggest several excellent small and large presses whose excellent books are promoted through our Eckleburg Book Club — i.e., Random House, Graywolf Press, Coffeehouse, Tinhouse, St. Martins Press and more.