by Robin Wall Kimmerer
Never had I thanked a tomato plant when picking its fruit, but after reading Robin Wall Kimmerer’s Braiding Sweetgrass, I say thank you and think about what I can give in return to the plant. As an educator dedicated to children experiencing nature, this indigenous/scientist’s passion for the natural world is inspiring to me. It’s so radically anti-capitalist, this simple thank you and respect for Mother Earth.
Jennifer Moglia Lucil is a writer, outdoor teacher, and intrepid parent of twin teenage boys. Her southwest home has taught her about reciprocity with the natural world, while her New York and Massachusetts families have taught her to recover her roots in order to take imaginative flights.
Jennifer’s work has won local recognition, from the Albuquerque Museum of Art, Anne Hillerman Celebration of Writing Award, 2019, for “Night of Thieves,” and from Alibi.com’s Pretty in Pink Writing Contest for “Chance Conversations: Teachers Seize the Ride-Sharing Moment.”
Jennifer studied Literature at Smith College and holds a Master’s degree in Literature and Film Studies from Brown University. She lives and works in Albuquerque, New Mexico.
What others are saying about Eckleburg…
“The most exciting and adventurous and gutsiest new magazine I’ve seen in years.” Stephen Dixon
“Refreshing… edgy… classic… compelling.” Flavorwire
“Eye-grabbing… fun… bold… inviting… exemplary.” Sabotage
“Literary Burroughs D.C…. the journal cleverly takes its name from the The Great Gatsby. F. Scott Fitzgerald….” Ploughshares
Proud member of the Council of Literary Magazines and Presses.
How I hate those who are dedicated to producing conformity. —William S. Burroughs
The Doctor T. J. Eckleburg Review was founded in 2010 as an online and print literary and arts journal. We take our title from F. Scott Fitzgerald’s The Great Gatsby and include the full archives of our predecessor Moon Milk Review. Our aesthetic is eclectic, literary mainstream to experimental. We appreciate fusion forms including magical realist, surrealist, meta- realist and realist works with an offbeat spin. We value character-focused storytelling and language and welcome both edge and mainstream with punch aesthetics. We like humor that explores the gritty realities of world and human experiences. Our issues include original content from both emerging and established writers, poets, artists and comedians such as authors, Rick Moody, Cris Mazza, Steve Almond, Stephen Dixon, poets, Moira Egan and David Wagoner and actor/comedian, Zach Galifianakis.
Currently, Eckleburg runs online, daily content of original fiction, poetry, nonfiction, translations, and more with featured artwork–visual and intermedia–from our Gallery. We run annual print issues, the Rue de Fleurus Salon & Reading Series (DC, Baltimore and New York), as well as, the annual Gertrude Stein Award in Fiction, first prize $1000 and print publication, guest-judged by award-winning authors such as Rick Moody and Cris Mazza.
We have collaborated with a number of talented and high profile literary, art and intermedia organizations in DC, Baltimore and New York including The Poetry Society of New York, KGB Bar, Brazenhead Books, New World Writing (formerly Mississippi Review Online), The Hopkins Review, Boulevard, Gargoyle Magazine, Entasis Press, Barrelhouse, Hobart, 826DC, DC Lit and Iowa’s Mission Creek Festival at AWP 2013, Boston, for a night of raw comedic lit and music. We like to promote smaller indie presses, galleries, musicians and filmmakers alongside globally recognized organizations, as well as, our local, national and international contributors.
Rarely will readers/viewers find a themed issue at Eckleburg, but rather a mix of eclectic works. It is Eckleburg’s intention to represent writers, artists, musicians, and comedians as a contemporary and noninvasive collective, each work evidence of its own artistry, not as a reflection of an editor’s vision of what an issue “should” be. Outside of kismet and special issues, Eckleburg will read and accept unsolicited submissions based upon individual merit, not theme cohesiveness. It is our intention to create an experience in which readers and viewers can think artistically, intellectually, socially, and independently. We welcome brave, honest voices. To submit, please read our guidelines.
Over the ashheaps the giant eyes of Doctor T. J. Eckleburg kept their vigil, but I perceived, after a moment, that other eyes were regarding us with peculiar intensity from less than twenty feet away. – The Great Gatsby, F. Scott Fitzgerald