Being a good lit citizen means supporting lit pubs. Donate. Buy. I’m going to show some #AWP17 mags that you need to support…. @NoTokensJournal, @EckleburgReview, @open_letter.
—Meakin Armstrong (Guernica)
Our supervisors have purchased bullwhips. They are intended to keep us obedient and productive. Violence persuades.
Jason Jordan holds an MFA from Chatham University. His forthcoming books are Cloud and Other Stories (Six Gallery Press, 2010) and Powering the Devil’s Circus: Redux (Six Gallery Press, 2010). His prose has appeared online and in print in over forty literary magazines, including Hobart, Keyhole, Monkeybicycle, Night Train, PANK, Pear Noir!, and Storyglossia. Additionally, he’s Editor-in-Chief of decomP, accessible at www.decompmagazine.com. You can visit him at his blog at poweringthedevilscircus.blogspot.com.
Eckleburg runs online, daily content of original fiction and hybrid including work from Richard Peabody, Cris Mazza, Eurydice, Rick Moody, Steve Almond and more…. Read hard. Write hard. “Being a good lit citizen means supporting lit pubs. Donate. Buy. I’m going to show some #AWP17 mags that you need to support…”
Submit Your Fiction
We accept previously unpublished and polished prose up to 8,000 words year round, unless announced otherwise. We are always looking for tightly woven short works under 2,000 words and short-shorts around 500 words. No multiple submissions but simultaneous is fine as long as you withdraw the submission asap through the submissions system. Please do not email the editors to withdraw your submission. Read more. Note: We consider fiction (and poetry) that has appeared in print, online magazines, public forums, and public access blogs as being published. Rarely do we accept anything already published and then only by solicitation. Once the piece is published in Eckleburg, the author is welcome to re-publish the work anywhere and everywhere. In these cases, we ask that the original publication be credited each time to The Doctor T. J. Eckleburg Review. One rare exception is our annual Gertrude Stein Award, which allows for submissions of previously published work.
The magnificent tree that we had admired for our more than twenty years in this house is now a stump after a week-long process of devastation, men with chain saws dangling from ropes in the upper reaches, the heavy thuds of dropping branches. It had been our favorite tree in the neighborhood, possibly the whole town, much taller than the others, perhaps one hundred and fifty feet high, and symmetrically ideal—an archetypal tree. Although we didn’t want to watch, we couldn’t help being aware of the pace of denuding, looking out to see lushness hewn, long leafless shafts. Why would anyone want to destroy such a beautiful thing?
Walter Cummins has published seven short story collections—Witness, Where We Live, Local Music, The End of the Circle, The Lost Ones, Habitat: stories of bent realism, Telling Stories: Old and New. He also has a collection of essays and reviews called Knowing Writers. More than one hundred of his stories, as well as memoirs, essays, and reviews, have appeared in magazines such as New Letters, Kansas Quarterly, Virginia Quarterly Review, Under the Sun, Arts & Letters, Confrontation, Bellevue Literary Review, Connecticut Review; in book collections; and on the Web. With Thomas E. Kennedy, he was founding co-publisher of Serving House Books, an outlet for novels, memoirs, and story, poetry, and essay collections. He teaches in the graduate creative writing programs at Fairleigh Dickinson University.
“Miss Merritt has retired,” so the letter I received in the late ‘80s began. At the time, I was teaching at Jones County Junior College where my colleagues and I were enjoying Robert Fulghum’s bestseller, All I Really Need to Know I Learned in Kindergarten.
“I must have been a slow learner,” I told my coworkers. “I made it all the way to high school before I learned anything really useful.”
After 30+ years in the college classroom, Allison Chestnut rejoined the other side of the desk and in August 2018 finished the MFA from Mississippi University for Women. She is a Florida native, attended university both at the last state supported nunnery—Mississippi University for Women—and at Louisiana State University, where she passed David Duke every day on the way to class. She can read, sing, pray and starve, and hopes to add publish to the list. As a Southern spinster with a Bible and a gun, she grew up reading Fannie Flagg, Jerry Clower, Florence King, and Lewis Grizzard. She has seen a squirrel get loose in a Baptist church. She has ridden a mule in Bonifay, Florida. Please do not hold her disdain for Faulkner against her. In high school she was nearly arrested for attempting to take a picture with Bruce the Shark on the movie set of Jaws II. She has read poetry and prose at meetings of SAMLA, SCMLA, and the Conference on Christianity and Literature. She holds the PhD from Louisiana State University and is currently professor of English at William Carey University.
As I sell my art and craft for a living—both in markets, street fairs or street festivals, and through galleries or stores—I walk miles. I don’t walk to the markets, of course. I load (rather overload) my car and drive to my destination. Then I carry my stuff (tables, canopies, racks and shelves, crates of potteries, heavy sculptures, large canvases) from my vehicle to their display location. Sometimes I use a wheeled contraption, but delicate items (the most numerous) need to be transported by hand, one by one, repeating ad libitum the trajectory between car and booth, store, or gallery. I don’t sweat, don’t fret. I breathe quietly. But I walk miles, several times a week. I have for my entire life.
Toti O’Brien is the Italian Accordionist with the Irish Last Name. She was born in Rome then moved to Los Angeles, where she makes a living as a self-employed artist, performing musician and professional dancer. Her work has most recently appeared in Scryptic, Voice Of Eve, Blue Tiger Review, and Projected Letters.
We accept polished creative nonfiction / essays up to 8,000 words year round, unless announced otherwise. Preferences veer toward shorter works under 1500 words with an arts and culture focus. If you wish to include a bio, keep it short, under 200 words. Submit your nonfiction.
Essay Collections and Memoir Manuscripts
We publish essays at The Doctor T. J. Eckleburg Review. At this time, we do not publish novel, long memoir, essay collections, story collections or poetry collections at The Doctor T. J. Eckleburg Review. We do offer manuscript workshops at The Eckleburg Workshops. If you are looking to place a manuscript, we can suggest several excellent small and large presses whose excellent books are promoted through our Eckleburg Book Club — i.e., Random House, Graywolf Press, Coffeehouse, Tinhouse, St. Martins Press and more.
We are now accepting previously unpublished poems. Please submit 1 – 5 poems as separate files in separate submissions. Please do not submit them all on one document. Submit. Note: We consider work that appeared in print, online magazines, public forums, and public access blogs as being published. Rarely do we accept anything already published and then only by solicitation. Once the piece is published in Eckleburg, the author is welcome to re-publish the work anywhere and everywhere. In these cases, we ask that the original publication be credited each time to The Doctor T. J. Eckleburg Review.
We publish short works at The Doctor T. J. Eckleburg Review. At this time, we do not publish novel, long memoir, essay collections, story collections or poetry collections at The Doctor T. J. Eckleburg Review. We do offer manuscript workshops at The Eckleburg Workshops. If you are looking to place a manuscript, we can suggest several excellent small and large presses whose excellent books are promoted through our Eckleburg Book Club — i.e., Random House, Graywolf Press, Coffeehouse, Tinhouse, St. Martins Press and more.
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Melania Trump (Cecily Strong), Ivanka Trump (Emily Blunt), Kellyanne Conway (Kate McKinnon), Omarosa (Sasheer Zamata) and Tiffany Trump (Vanessa Bayer) can no longer stand by Donald Trump (Alec Baldwin).
The Make Up was an American post-punk band from Washington, D.C. formed in 1995, consisting of ex-Nation of Ulysses frontman Ian Svenonius on vocals, James Canty on guitar and organ, Steve Gamboa on drums, and Michelle Mae on bass guitar. The Make-Up were joined in late 1999 by a fifth member, Alex Minoff (of the groups Golden and Extra Golden), who played guitar with the group until the band’s dissolution in early 2000.
Catharsis: One of the great unsettled issues. That it implies a beneficial cathartic effect produced by witnessing a tragic action is clear; how it is produced is in question. Some believe that the spectators, by vicarious participation, learn through the fate of the tragic hero, that fear and pity are destructive and thereby learn to avoid them in their own lives (this interpretation is clearly didactic). Others believe that the spectator, being human and thus subject to disturbing emotions of fear and pity, has this imbalance rectified and these internal agitations stilled by having an opportunity vicariously to expend fear and pity on the hero…. (Handbook to Literature)
Literary Burroughs D.C…. the journal cleverly takes its name from the The Great Gatsby. F. Scott Fitzgerald….” Ploughshares
Proud member of the Council of Literary Magazines and Presses.
The Doctor T. J. Eckleburg Review was founded in 2010 as an online and print literary and arts journal. We take our title from F. Scott Fitzgerald’s The Great Gatsby and include the full archives of our predecessor Moon Milk Review. Our aesthetic is eclectic, literary mainstream to experimental. Write hard. We appreciate fusion forms including magical realist, surrealist, meta- realist and realist works with an offbeat spin. We value character-focused storytelling and language and welcome both edge and mainstream writing with punch aesthetics. We like humor that explores the gritty realities of world and human experiences. Our issues include original content from both emerging and established writers, poets, artists and comedians such as authors, Rick Moody, Cris Mazza, Steve Almond, Stephen Dixon, poets, Moira Egan and David Wagoner and actor/comedian, Zach Galifianakis.
Currently, Eckleburg runs online, daily content of original fiction, poetry, nonfiction, translations, and more with featured artwork — visual and intermedia — from our Gallery. We run annual print issues, the Eckleburg Reading Series (DC, Baltimore and New York), as well as, the annual Gertrude Stein Award in Fiction, first prize $1000 and print publication, guest-judged by award-winning authors such as Rick Moody and Cris Mazza. Write hard.
Over the ashheaps the giant eyes of Doctor T. J. Eckleburg kept their vigil, but I perceived, after a moment, that other eyes were regarding us with peculiar intensity from less than twenty feet away. —The Great Gatsby, F. Scott Fitzgerald