The Chills are a band from Dunedin, New Zealand fronted by the rare talent of Martin Phillipps. Martin has a single-minded determination to take quality, original NZ-sounding, melodic rock music global. His requirement of band members has been to meet a standard of musicianship, which is necessary to deliver The Chills songs with essential consistent energy. This determination stems from the punk rock ethics of Martin’s musical awakening and from the subsequent proximity to people like Chris Knox who drove home how crucial it was to deliver music always with intensity and conviction. This live energy is the central reason why The Chills are remembered fondly in all of the thirty-nine countries that they have thus far visited. It’s the combination of this AND the consistent quality of their songs which have established The Chills as one of the most well-known New Zealand groups to date – particularly in the US, UK and Europe. The band have many faithful friends around the world and a new generation (Peter Bjorn and John, Songs, The Go Find, Panda Bear, The Shins et al) are now covering or attempting to emulate The Chills unique sound. A new album is due for release Sept 2018 and a feature film on Martin’s life is now in post-production, due for release 2019.
Color Palette – comprised of Jay Nemeyer, Joshua Hunter, Matt Hartenau, Rogerio Naressi, and Maryjo Mattea – is an Indie/Electro/Rock band from Washington, DC. Since their first release, Color Palette has garnered hundreds of press hits worldwide. Press highlights include features in NME Magazine, USA Today, and NPR. Color Palette released their debut full-length album, Vaporwave, in 2016. Color Palette has shared bills with the following notable artists: Charli XCX, The Naked and Famous, Soccer Mommy, Mother Mother, Day Wave, Yumi Zouma, Mr Little Jeans, The Kickback, and Spirit Animal. They will release their second full-length album in 2019.
Sometime around the turn of the century a small gang of boys grouped together in the noble pursuit of transcending suburban boredom through the traditional performance of punk rock songs. 3 of these young products of white America never moved on from this adolescent rebellion phase, and some 16 years later The Max Levine Ensemble continue to rock basements, bombed out buildings and other holes in the fabric of the status quo, with lofty aspirations of creating moments of pop catharsis for angsty teenagers and maybe shaking punk rock from the mediocrity of its ritualistic lulls. Which is to say, here’s another punk rock band. You’ve definitely seen this before.