When Judith Kitchen inherited boxes of family photographs and scrapbooks, they sparked curiosity and speculation. Piecing together her memories with the physical evidence in the photos, along with a sense of history and a willingness to speculate, Kitchen explores the gray areas between the present and the past, family and self, certainty and uncertainty. The result is a lyrical, ennobling anatomy of a heritage, family, mother-daughter relationships, and the recovery from an illness that captures with precision the forces of the heart and mind when “none of us knows what lies beyond the moment, outside the frame.”
“Judith Kitchen has written a book that is at once clear and accessible and at the same time insistently complex. Her effortlessly constructed hybrids make Half in Shade part memoir, part speculation, part essay, a demonstration of the interactive art of see- ing, and finally for me, a beautifully sus- tained meditation. It is at that meditative level that the book’s potent, unsentimental emotive power gathers.” —Stuart Dybek
One of The New York Times Book Review’s Ten Best Books of the Year
From the award-winning author of Half of a Yellow Sun, a dazzling new novel: a story of love and race centered around a young man and woman from Nigeria who face difficult choices and challenges in the countries they come to call home.
As teenagers in a Lagos secondary school, Ifemelu and Obinze fall in love. Their Nigeria is under military dictatorship, and people are leaving the country if they can. Ifemelu—beautiful, self-assured—departs for America to study. She suffers defeats and triumphs, finds and loses relationships and friendships, all the while feeling the weight of something she never thought of back home: race. Obinze—the quiet, thoughtful son of a professor—had hoped to join her, but post-9/11 America will not let him in, and he plunges into a dangerous, undocumented life in London.
Years later, Obinze is a wealthy man in a newly democratic Nigeria, while Ifemelu has achieved success as a writer of an eye-opening blog about race in America. But when Ifemelu returns to Nigeria, and she and Obinze reignite their shared passion—for their homeland and for each other—they will face the toughest decisions of their lives.
Fearless, gripping, at once darkly funny and tender, spanning three continents and numerous lives, Americanah is a richly told story set in today’s globalized world: Chimamanda Ngozi Adichie’s most powerful and astonishing novel yet.
“Epic . . . A near-flawless novel—one whose language beautifully captures the surreal experience of an African becoming an American . . . Americanah is both intellectually expansive and urgently intimate, a story about the crushing experience of finding your way in a new land—and the physical and emotional lengths one goes to to feel whole again. Ifemelu—smart, pretty, brutally honest, often hilariously so—will steal your heart.” —Tyrone Beason, The Seattle Times
“A thrilling and risky piece of writing that takes on taboos, shatters pieties, and combines forthright prose, subversive humor, and a ripping good story. . . . Americanah feels ruthlessly of this moment . . . [It] homes in on and complicates the single story of the immigrant.” —Parul Sehgal, Tin House
“Princeton, in the summer, smelled of nothing, and although Ifemelu liked the tranquil greenness of the many trees, the clean streets and stately homes, the delicately overpriced shops, and the quiet, abiding air of earned grace, it was this, the lack of a smell, that most appealed to her, perhaps because the other American cities she knew well had all smelled distinctly. Philadelphia had the musty scent of history. New Haven smelled of neglect. Baltimore smelled of brine, and Brooklyn of sun-warmed garbage. But Princeton had no smell. She liked taking deep breaths here. She liked watching the locals who drove with pointed courtesy and parked their latest model cars outside the organic grocery store on Nassau Street or outside the sushi restaurants or outside the ice cream shop that had fifty different flavors including red pepper or outside the post office where effusive staff bounded out to greet them at the entrance. She liked the campus, grave with knowledge, the Gothic buildings with their vine-laced walls, and the way everything transformed, in the half-light of night, into a ghostly scene. She liked, most of all, that in this place of affluent ease, she could pretend to be someone else, someone specially admitted into a hallowed American club, someone adorned with certainty.”
Published by Knopf, May 14, 2013
Chimamanda Ngozi Adichie grew up in Nigeria. Her work has been translated into thirty languages and has appeared in various publications, including The New Yorker, Granta, The O. Henry Prize Stories, the Financial Times, and Zoetrope: All-Story. She is the author of the novels Purple Hibiscus, which won the Commonwealth Writers’ Prize and the Hurston/Wright Legacy Award, and Half of a Yellow Sun, which won the Orange Prize and was a National Book Critics Circle Award Finalist, a New York Times Notable Book, and a People and Black Issues Book Review Best Book of the Year; and the story collection The Thing Around Your Neck. A recipient of a MacArthur Fellowship, she divides her time between the United States and Nigeria.
The breakout book from a prizewinning young writer: a breathtaking, suspenseful story of one man’s obsessive search to find the truth of another man’s downfall.
Nelson’s life is not turning out the way he hoped. His girlfriend is sleeping with another man, his brother has left their South American country, leaving Nelson to care for their widowed mother, and his acting career can’t seem to get off the ground. That is, until he lands a starring role in a touring revival of The Idiot President, a legendary play by Nelson’s hero, Henry Nunez, leader of the storied guerrilla theater troupe Diciembre. And that’s when the real trouble begins.
The tour takes Nelson out of the shelter of the city and across a landscape he’s never seen, which still bears the scars of the civil war. With each performance, Nelson grows closer to his fellow actors, becoming hopelessly entangled in their complicated lives, until, during one memorable performance, a long-buried betrayal surfaces to force the troupe into chaos.
Nelson’s fate is slowly revealed through the investigation of the narrator, a young man obsessed with Nelson’s story—and perhaps closer to it than he lets on. In sharp, vivid, and beautiful prose, Alarcón delivers a compulsively readable narrative and a provocative meditation on fate, identity, and the large consequences that can result from even our smallest choices.
“Daniel Alarcón has become one of the most important modern voices for the countries south of the border… Beautiful and compellingly told, [At Night We Walk in Circles] sets out to answer the basic question of how to live a good life in a bad place… Alarcón’s work never feels unsure of its importance or its relevance. This novel make the case that Lima really is as important as Istanbul, and the Andes as urgent as Appalachia. The ghosts of South America may be quiet, but Alarcón reminds us not to forget them.” —The New Republic
“Wise and engaging…a provocative study of the way war culture ensnares both participant and observer, the warping fascination of violence, and the disfiguring consequences of the roles we play in public…[a] layered, gorgeously nuanced work…the ending is a quiet bomb, as satisfying as it is ambiguous.”
—New York Times Book Review
Publication date: October 31, 2013
trim: 8.5 x 5.8 inches
price (Hardcover): $27.95
ISBN (Hardcover): 1594631719
Daniel Alarcón is author of the story collection War by Candlelight, a finalist for the 2005 PEN-Hemingway Award, and Lost City Radio, named a Best Novel of the Year by the San Francisco Chronicle and the Washington Post. His fiction, journalism and translations have appeared in A Public Space, El País, McSweeney’s, n+1, and Harper’s, and in 2010 The New Yorker named him one of the best 20 Writers Under 40. Alarcón is co-founder of Radio Ambulante, a Spanish language storytelling podcast, and currently serves as a Fellow in the Investigative Reporting Program at the UC Berkeley School of Journalism. He lives in San Francisco, California.