Ophelia

Oh, how overdone
I am, swamp-logged,
blue-lipped. Poets
invoke my pickled virginity.
All my life: “I know not
what to say, my lord.”
Now I know. Little girls
want to be me on Halloween,
wrapping themselves in weeds
and torn lingerie. I never
owned a white brocade
anything. But somehow
I am their adolescent
anthem, the early pure
death, flower-drowned,
bound in my own braids.
It’s embarrassing. Their reedy
legs remind me of herons
in the marsh where I was found,
my hymen grown soggy
and pecked out by a beak.
Death consummates,
not consecrates, even me,
fifteen and spot-faced.
Bride of a bird. Bride
of mud. Spare me Mr.
Millais and his Pre-Raphaelite
pomposity. I never
looked half so good dry.

 

AmandaWilliamsenB&W (2)Amanda Williamsen has recently relocated to Bainbridge Island, Washington, where she plans to write a poem for every day that it rains, and maybe for some sunny days, too.  She is lately of Cupertino, CA, where she served briefly as that city’s Poet Laureate, and she’s a native of Ohio, where she grew up along the Maumee River.  Her favorite activities include canoeing, gardening with her family, taking cat naps next to a cat, and purchasing fireworks at roadside stands with the intent to drive them over state lines.  She has taught writing and literature at secondary schools and universities, and her poetry has appeared or is forthcoming in Baltimore Review, New Ohio Review, Midwestern Gothic, and The Fabulist.  She earned her B.A. at Wittenberg University and her M.A. from the Writing Seminars at Johns Hopkins.

In the Clearing

the night is large tonight  
            ants mistake our legs
for old fallen branches
& simply crawl
               without violence
 
I tell you that a poem
              is a gasp of words
like my breath on your cheek
& that everything before you
              has been a febrile haze
 
                                          now
even the creek is falling asleep  
              its languid water
tinged a brooding red by tannins
              from fallen pine needles
so Biblical, I say
so natural, you reply
 
I wish I could be taller
that I could gather up the stars
             & string them
             in your eyelashes
             but who has hands
to reorder the sky?
 
all my hands can do  
is hold yours  
 
               you look at me
not at my eyes  
              but through them
 
a coyote yips & yowls
into the open ear of the world  
 
               sound of change
song of my fever lifting

 

Jonathan Louis Duckworth is an MFA student at Florida International University and a reader for Gulf Stream. His fiction, poetry, and non-fiction appears in or is forthcoming in New Ohio Review, Fourteen Hills, PANK, Literary Orphans, Cha, Superstition Review, and elsewhere.

 

Everything Gold

Christina M. Rau

by Christina M. Rau

in solidarity with Maureen N. McLane’s “Terrible Things Are Happening In Russian Novels”

 

Everything gold stays put

up or shut up in the tiny safe-

way sale on tomatoes this week

end when plans for planting roses

are red as the Russian novels where

terrible things are happening where

everything is coming up empty

handed me a check for five

up high down low too slow

as molasses in the house of

mirth seven gables stone and light

usher the rising sun the spirits

blues. Margaritas all around.

 

Christina M. Rau is the author of the poetry chapbooks WakeBreatheMove (Finishing Line Press, 2015) and For The Girls, I (Dancing Girl Press, 2014). Founder of Poets In Nassau, a reading circuit on Long Island, NY, her poetry has appeared on gallery walls in The Ekphrastic Poster Show, on car magnets for The Living Poetry Project, and most recently in the journals Queen Mob’s Tea House and Meniscus. In her non-writing life, she practices yoga occasionally and line dances on other occasions. Visit her at www.christinamrau.com