HUMBLE FIRE | Taliesin

Humble Fire’s upcoming album Builder explores physical and emotional experiences around loss and reconstruction, from family deaths and failed romances to the shocks and stresses they have navigated as a band. Through those experiences, they’ve come to appreciate that reconstruction isn’t something you can tackle on your own: it requires an entire crew. Builder, then, is as much about that process of putting yourself back together, as it is about the relationships that can help or hinder that process. Since Humble Fire’s members have known each other over the past five or so years, they’ve all shown up for each other in different ways as part of that reconstruction crew. They’re lucky to have found family in each other in that way. 

Somewhat accidentally, the album also ended up being about working out questions of identity. ‘Who am I now, in this world without my parents in it’, for example? ‘How can I take care of others without losing myself?’ When the band first listened back to the fully assembled album, they realized it had become a sort of therapeutic exercise for Nefra in working out some of those questions. More broadly, Humble Fire’s collective identity is also something they try to be very intentional about. As a DC-based band, they’re immersed in and identify with the tradition of DIY independence and social awareness typically associated with the politics of hardcore punk (despite not working in the genre). They strive to embody those values as a band as much as in their personal lives. 

Humble Fire owes its origins to Craigslist, which first brought guitarist Dave and singer Nefra together through another project and later recruited Xaq, bassist, who responded to Dave’s ad with a purposeful manifesto that will forever go down in band history. While not the band’s original drummer, Jason had long been a friend and active musician in the DC DIY music circuit before signing on in 2016. In its current form, the band celebrates the diverse musical influences that each member draws from – from bluegrass and classical, to punk and hip hop – weaving addictive rhythms and vulnerable vocals through tightly wound guitar and bass melodies.

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The Editors
Eckleburg was founded in 2010 as an online and print literary and arts journal. We take our title from F. Scott Fitzgerald’s The Great Gatsby and include the full archives of our predecessor Moon Milk Review. Our aesthetic is eclectic, literary mainstream to experimental. We appreciate fusion forms including magical realist, surrealist, meta- realist and realist works with an offbeat spin. We value character-focused storytelling and language and welcome both edge and mainstream with punch aesthetics. We like humor that explores the gritty realities of world and human experiences. Our issues include original content from both emerging and established writers, poets, artists and comedians such as authors, Roxane Gay, Rick Moody, Cris Mazza, Steve Almond, Stephen Dixon, poets, Moira Egan and David Wagoner and actor/comedian, Zach Galifianakis.