NERVOSITIES by John Madera

I had the pleasure of hearing John Madera read from his debut flash fiction collection, Nervosities at the KGB Bar in NYC a few weeks ago. Enjoying “Some Varieties of Being and other Non Sequiturs,” the first story in the collection of innovative, word-bending flash fiction released by Anti-Oedipus Press. The story opens with an exploration of Varanasi:

“…recombinant city entered through a multiplicity of openings: doors, windows, gateways, dreams; recursive city: it mumbles: breath to death; it mumbles: birth to earth; sepulchral city: it rasps: dust in the shadows, dust in the wall cracks, dust in the air, dust on the windows, dust in the whitewashed sky….”

Madera’s rhythmic prose draws the reader into a lyrical surrealscape,  a place of memory, the narrator reminds us as the dust gathers on the city. Madera invites the reader to have a conversation with the story, where the mind may go where it must and go as it must in the streaming narrative—a door, a window, a dream, a rickshaw ride, a deepening grief, a bomb left at Varanasi’s Sankat Mochan Temple, some kerosene and a little skiff. The interiorities are unforgiving, critical and yet, tender too, in their stark perspectives delivered with sincere care not only in their meanings but also for how they feel in the mind and on the tongue. “…dust in the shadows, dust in the wall cracks, dust in the air….” Reading Madera aloud is a poetic delight. READ MORE

About Nervosities

In this debut collection of experimental short fiction, John Madera explores the complexities of identity, memory, history, and language, revealing the heterogeneities and instabilities that distinguish the post-industrial world. Born of diaspora and transversalism, the fourteen stories in Nervosities exhibit narrative modes and voices that converge on our ever-evolving culture of violence, mediatization, and fragmentation. Ultimately, these fictions enact a realization of what Deleuze and Guattari (via Antonin Artaud) call “the cancerous body of America, the body of war and money.” Reading Nervosities is at once a journey to an alternate universe and an uncanny chronicle of all-too-familiar terrain. READ MORE

About John Madera

John Madera’s fiction has been published in ConjunctionsHobartSalt HillSleepingfish, and The &Now Awards 2: The Best Innovative Writing, while his criticism has appeared in American Book ReviewBookforumThe Review of Contemporary FictionRain TaxiThe BelieverThe Brooklyn Rail, and many other venues. A recipient of an M.F.A. from Brown University as well as two grants from the New York State Council on the Arts, Madera lives in New York City, where he serves as editor-in-chief of Big Other and runs the literary publicity company Rhizomatic.

About Openings

Openings is a recommendation column for Eckleburg readers, featuring fantastic books with fantastic openings, where readers first meet intriguing characters, settings and moments in which the mind can explore what is and what might be. Explore more great Openings with us at Eckleburg.

 

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Rae Cline
Rae Cline is the author of PRECIOUS UGLY, a debut novel (coming August 18, 2026 from 7.13 Books). She is also the author of the short story collection The Indefinite State of Imaginary Morals. Her stories, essays, and prose poetry have appeared in The Paris Review, McSweeney’s, and more. She earned an M.A. in Writing from John Hopkins University and an M.F.A. in Fiction and Creative Nonfiction from American University. A teacher for thirty-five years, she taught writing and literature at the secondary level as well as at her alma maters, the International Writing Program at Iowa State University, and other campuses. She is the founding editor of Eckleburg, where she writes the Openings column, and the founder of the Warm Words Project, a homeless and domestic violence outreach initiative. Born in Ohio, she now splits her time between New York City and the Gulf of Mexico. PRECIOUS UGLY is now available for preorder. Read more at raecline.com.