The AWP Checklist | Know It, Own It

Get the full and FREE AWP Survival Guide| How to Have Fun without Making a Complete Idiot of Yourself

 

   Water

Funny Squinting man with Tousled brown hair in studioHydration is very important, especially if you are attending off-site events where drinking and merriment is plentiful. Make sure to take care of yourself and replenish throughout the evening. Your head will thank you in the morning.

 

  Smart Phone

If you do not have a smart phone yet, and have been considering purchasing one, now is a good time to do it. Smart phones will help you stay in close connection with AWP schedules and friends throughout the conference. Consider adding all contact info for not only friends but authors and editors you would like to meet. Add profile pictures to your contact files for easier recognition. Add latest book, publisher and AWP presentation and reading information. For friends, add personal details like names of kids, pets, etc.

 

  Taxi Magic App

Make sure you have this app downloaded to your smart phone and have your information entered. If you are stuck and/or inebriated at 2 AM, this app might very well mean the difference between a long cold walk back to the hotel or a quick warm drive back to the hotel.

 

  Local Eats App

Sometimes you’ll want to get out of the AWP crowd and find a less hectic place to relax and have a bite without the commotion and noise.

 

  Meetup App (Local Indie Music)

AWP isn’t just about writing, it’s about enjoying the local culture of the city, too. Check out a local band or two.

 

  Top Three List

Make a list of the top three things you absolutely must do when at AWP. Everything else is a nice to have but these three things are must haves. You won’t be able to do everything and so making a top three list will ensure that you have your priorities straight and can feel a sense of accomplishment at the end of the conference. Remember: Meeting and having a beer with the Pulitzer winning keynote is not necessarily a realistic goal. This isn’t a bucket list. Make your items realistic.

 

  Top Ten List

Add contacts to your smart phone with FB/Twitter links and face shots of your top ten “Meet List.” Identify ten journals, editors and writers who you really want to meet either at a booth or event. These should be realistic goals. You might not get to them all, but at least you’ll have your tier two list of things to do.

 

  Water

Did we say hydrate? Hydrate!

 

  Wing Man/Woman

AWP is better on the buddy system. Make sure you have identified your buddy, the person you can call or text no matter how early or late it is and you know this person will come find you if you are lost. This person will join you for a cup of coffee or cocktail. This person will help you think through good or not so good choices when you are too tired or inebriated to think for yourself.

 

  Quiet Space

A room of your own or with someone you feel very comfortable is key. Having personal space to get away from the crowds is essential to keeping up your energy and enjoying your experience. If you are forced into a small room — i.e., two double beds and eight people, don’t laugh, this happens quite often — then identify a close by restaurant or museum prior to AWP. Use this place to escape and find quiet space. You also might want to have a backup hotel plan in case your accommodations become the crash site for all disavowed and partying AWPers.

If you plan to reserve a room for only yourself but you know that several friends will likely seek sanctuary in your room from their own more chaotic rooms, reserving a single bed with a pull out couch will be helpful. This way, you have the option of saying, “Sorry, I have only one bed,” or “Sure, you can sleep on the couch.”

If you are stuck in a chaotic room with too many people, a graceful way to move to another room or hotel is to explain that you are having back issues as a result of sleeping on the floor or with too many people squashed into a bed. If you do secure other accommodations, it is important that you make good on your portion of the room payment. AWP sleep deprivation can turn any good friendship into a fight for survival and rest and so remember that the way you handle accommodations in the trenches of AWP will resonate after AWP has ended.

 

  Moleskine

Moleskines are an Eckleburg favorite. Make sure your Moleskine is big enough to fold fliers in half and store inside the pages. Moleskines come with elastic closures to help keep “stuff” from falling out. If you have a favorite journal, already, consider gluing an envelope in the back for keeping business cards. We have a few favorite Moleskines for AWP:

Evernote Ruled Smart Notebook – LargeThe new Evernote Smart Notebook by Moleskine uses Evernote’s Page Camera feature to capture the pages of your notebook with your smartphone or tablet. Evernote Page Camera is available for the current iOS and Android release. Evernote Smart Notebook features unique “Evernote ruled” and “Evernote squared” page styles with dotted lines designed to ensure a clean image when digitally capturing your notebook. Moleskine Smart Stickers introduce Smart Tagging into your workflow. When you capture a page with Evernote, the Smart Sticker icons become searchable, digital tags that make it easy to keep your ideas organized and to keep your digital and analog workspaces synced.

Evernote Ruled Journals with Smart Stickers – LargeTake a photo of any page in this book with the Evernote app and its content instantly becomes digital so that you can save it, search it and share it with the world. Evernote Journals have a flexible, heavy-duty cardboard cover that can be customized and decorated. In Kraft Brown with visible stitching on the spine, 16 detachable sheets and a back pocket for loose notes, it’s a lightweight paper companion for studies, trips and daily writings. A booklet detailing the history of Moleskine is included. Includes 1 month Evernote Premium subscription in the pocket.

 

  Pens

Don’t forget your pen/pencil and bring extra for friends who have lost their own.

Using Pens as Promotional Materials: If you are on staff for a journal, you might ask your editor if you can have pens made with the journal name/logo, but this is NOT suggested for your own novels or collections. Handing out pens with your author name or the name of your book would be overzealous and a little bit creepy, unless you could pull it off in some sort of humorous and self-deprecating way. Otherwise, it would likely come off as self-absorbed and this is not the impression you want to give. And remember, make sure your pens work. No one likes to be handed a bum pen, even if it is free.

Using Pens to Promote Your Reading: If you are participating in a reading that includes other authors/poets, you might ask the reading series coordinator if you might have pens made up with reading title, venue, date and time made. If there are not funds for this, ask if it would be okay for you to do it. This would be an excellent way to promote not just yourself but others as well, and it wouldn’t come off as purely self-serving. Again, make sure the pens are good quality. 

 

  Bag

If you don’t have a comfortable over the shoulder and lightweight bag, you might want to purchase one now. A lightweight attache or messenger bag with long strap will work well. You will be given an AWP bag but it doesn’t zip and you can’t wear it across the shoulder and chest. When running between the floor and off-site events at bars, you’ll be happy to have a lightweight attache style bag with a long comfortable strap and zipper. Cloth bags are often good. Leather bags can be heavy, especially after filling them with books, but whatever works for you. A good bag settled across your shoulder, chest and back will allow you to travel easily and forget about the bag as you have beers with old and new friends. The other option is to find a safe space to store your bag while at an off-site event.

 

  Warm Coat and Comfortable Shoes

AWP is usually in a cold weather location. There will likely be snow, rain and/or a good deal of wind. This is not the time to break out the Jimmy Choos. Bring comfortable walking shoes and a warm coat. You’ll be much happier.

 

  Roller Bag

Pack a roller bag half-filled with clothing, shoes and toiletries. The other half should be filled with your books to be sold or given away and to be replaced with the books you will pick up at the conference and bring home. Unless you are exhibiting, one roller bag should do it. If you are not taking books with you, then leave half your bag empty.

*Roller bags are best. By the end of AWP, your bag will be filled with books, and it will be heavy. You’ll be exhausted and sleep-deprived. You’ll be happy to be able to roll your bag.

 

  Author Cards

Have cards printed with your name, book, AWP reading and contact info. DO NOT print on cheap cards at home. Cheap cards are worse than having no cards. Use a good printer. There are several:

FedEx Office
Staples
Office Max
Vistaprint

Keep your cards handy, but don’t be a schmuk about it. Wait till someone asks you for your information or shows a genuine interest in you and your work. Not everyone will want your business card and pushing it on people you’ve just met will come off as self-absorbed.

If you’ve hit it off with an author or editor, make sure to ask where you can get more information about his or her book or journal. You might inquire in an open-ended way such as, “How can I learn more about your book/journal?” This allows the author and/or editor the opportunity to direct you to their preferred form of communication, website, booth, etc.

At AWP, Gather as much information as you can. The best way to recall the crazy wonder of AWP, after AWP, is to go through the business cards, books and reading fliers you collected along the way. Make sure to record important information on reading fliers and in your Moleskine. For instance, if you hit it off with an author or editor at an event, and they give you specific information not readily available, such as the name of their dog, kids, the fact that they’d really like to come to your city and participate in a reading, make note of it on the event flier. This will be helpful to you later when you are trying to remember the what, where and when of conversations.

 

  Patience

If this is your first AWP, patience. This is your first time around. You will meet many people who are veterans. Some of these people really won’t care if you have a new book out or if you need their advice on how to write a novel or market the novel you’ve written. It’s not a matter of being mean. It’s merely timing and resources.

For many authors, AWP is a once a year time when old friends on opposite coasts can finally meet up and say hi, have coffee or a beer. Writing is an isolating craft. AWP makes the isolated less isolated for a few days. If you are looking to meet a writer or editor and want to be impressive then just be human. Say hi. Ask about their newest work and how you can learn more. Don’t be pushy and don’t monopolize the conversation. Talk less about yourself and spend more time listening to the other person.

If after talking, you seem to hit if off in a genuine way, offer to buy him or her a beer or a coffee. If he or she accepts, then let the conversation develop organically, not centered around what the writer or editor can do for you.

If the write or editor is in a hurry, be respectful, friendly and brief. Good first impressions are often short and sweet and you can always follow up later, after AWP, on Facebook with a friend request. Make sure to let the person know that you met at AWP and shook hands. It also helps if you have purchased his or her book and have something nice to say about it.

 

√  Water

Yes, again. Hydrate.

 

  Finally, Take Care of Yourself

Remember, AWP is a hairy beast to be adored and feared. You will be exhausted, but you will come away from the experience with more knowledge, friends, experiences and connections. It might take you a few days to begin writing again or you might find the experience has prompted you to a writing fury. Either way, give yourself time after AWP to rest and come out of the fog. You will. It may take a few days, but you’ll be yourself again. We promise.

 

√  Check out the following topics on…

If you found our AWP Checklist helpful, you may find the following topics helpful, too. And don’t forget, we offer many craft-based workshops for fiction, creative nonfiction, poetry and intermedia. We invite you and your words to join us again at The Eckleburg Workshops.

How to Handle Drunken, Pushy and/or Entitled Writer People
How to Make Connections
How to Schedule Wisely & Take Care of Yourself

Sunday Salon, NYC, Jimmy’s No. 43

Sunday Salon

{About}

Sunday Salon is a prose reading series and online magazine. Based in New York City and founded by Nita Noveno in the summer of 2002, Sunday Salon swept through the Midwest to Chicago in 2006. In 2007 Sunday Salon launched an online zine to showcase the prose of its alumni and up and coming writers.

 

New York City

Nita Noveno and co-hosts Sara Lippmann and Lynne Bamat Mijangos keep a refreshing blend of new and experienced literary voices on tap at Jimmy’s No. 43 every third Sunday of the month and online in the Sunday Salon zine.

 


 

nita AboutNita Noveno

Nita Noveno was born and raised in Southeast Alaska. She is a graduate of the New School MFA Creative Writing Program in Creative Nonfiction, and is the founder and co-host of Sunday Salon in NYC. Her writing has appeared in The MacGuffin and Ducts.org, amongst other places. She lives in Queens.

 

Sara Lippmann

lipman AboutSara Lippmann is a freelance writer and editor. Her fiction has appeared in or is forthcoming from JewishFiction.net, PANK, Our Stories, Slice, Potomac Review, Big Muddy and elsewhere. It has been included in Sex Scene: An Anthology, Mamas & Papas (City Works Press) and two other anthologies from Wising Up Press. She lives with her family in Brooklyn.
WMC2 About

Wah-Ming Chang

Wah-Ming Chang has received fiction fellowships from the New York Foundation for the Arts, the Urban Artist Initiative, the Bronx Writers Center, and the Saltonstall Foundation for the Arts. Her fiction has appeared in Mississippi Review and Arts & Letters Journal of Contemporary Culture, and her nonfiction on WordsWithoutBorders.org. She blogs at wmcisnowhere.wordpress.com.
lynn About

Lynne Bamat Mijangos

Lynne Bamat Mijangos is a mother, grandmother, nurse, social worker and writer. She cares about people, the stories they tell, and those they might never get to tell. She graduated with an MFA in nonfiction from The New School in 2002. A chapbook Baby Girl Mijangos was published in 2003. Currently she is at work on a memoir The Easy Child. She lives in New York with her husband and ballroom dance partner Luis Mijangos. He illustrated her retelling of the Mexican myth La Mujer Dormida, which they hope to publish in English and Spanish.
natalia About

Chicago

Natalia Nebel

Natalia Nebel is a writer, translator, former managing editor of the literary journal Chicago Quarterly Review, and a board member of ShawChicago Theater Company. Having read her work at the New York City Sunday Salon several years ago, she’s thrilled to be involved in reintroducing Sunday Salon to Chicago.
alexa About

Alexandra Sheckler

Alexandra Sheckler is an editor of instructional materials at Chicago Public Schools and a freelance writer/editor after hours. A literary enthusiast, Alexandra is delighted to be involved with Sunday Salon Chicago, where she can share her passion for the written word and rub elbows with writers and literati alike. When she isn’t finding grammatical errors in menus and text messages, she enjoys traveling, practicing yoga, and cooking.
christine About

Christine Sneed

Christine Sneed’s story collection, Portraits of a Few of the People I’ve Made Cry, won AWP’s 2009 Grace Paley Prize and was nominated for the Los Angeles Times Book Prize, first-fiction category. It also won the Chicago Writers Association Book of the Year award and Ploughshares’ John C. Zacharis Award. Her second book, the novel Little Known Facts, is just out from Bloomsbury. Her stories have appeared in Best American Short Stories, PEN/O. Henry Prize Stories, Ploughshares, New England Review, Glimmer Train, Southern Review and a number of other journals. She lives in Evanston, IL and teaches for Northwestern University’s and Pacific University’s writing programs.

Nairobi (Past Series)

In the spring 2007, Salon opened in Nairobi via a transatlantic connection established between Salon founder, Nita Noveno, and Kwani? Readings founder, June Wanjiru Wainaina. Since then, Salon Nairobi has grown into a unique, well-rounded gathering that not only engages the audience, but leaves one with a sense of pride at the achievements of Kenyan writers in reflecting the rights, and the wrongs of the Kenya they live in and love.

Past Salon Collaborators

NYC Salon: Caroline Berger, Krista Madsen
Chicago Salon: Melanie Pappadis, Mike Zapata
Nairobi Salon: June Wanjiru Wainaina

The Johns Hopkins University, M. A. in Writing Spring Reading 2013 | Mark Farrington, Ed Perlman, Rae Bryant

 

Friday, March 15, 2013

6 PM Reception | 7 PM Reading

Gilman Hall, Room 132, Homewood Campus

The Johns Hopkins University, M. A. in Writing Program, Baltimore, Maryland

 

180px-JHU_University_Seal

 


 

Mark Farrington is an instructor and the faculty fiction advisor for the Writing Program. He has an MFA in Fiction Writing from George Mason University and a BA from Colby College. He has published short stories in The New Virginia Review, The Louisville Review, Union Street Review, and other journals, and he has served as editor-in-chief of Phoebe: The George Mason Review. He also has published numerous articles on the teaching of writing. He taught writing at George Mason for ten years and currently also works for the Northern Virginia Writing Project, a teacher training organization at GMU. In 2003 he was a recipient of the MA in Writing Program’s Outstanding Teaching Award, and in 2004 he received the Outstanding Faculty Award from the Advanced Academic Programs. About teaching in the program, he says, “What I especially like about this program is its emphasis on the high quality of teaching, and its emphasis on craft. Maybe you can’t “teach writing”, but you can teach craft, and you can help students understand how to make their writing better. In workshops I ask students to be honest and constructive — always both, together.” He lives in Alexandria, Virginia , with his wife Christina and their springer spaniel Sophie.

Edward Perlman is the founder and editor of Entasis Press. Ed began his professional teaching career in the Alexandria City Schools, where he instructed in English and humanities and was principal for the European campus of a summer school program.  He writes fiction, nonfiction, and poetry; his poetry, essays, and book reviews have appeared in various reviews and publications, including Explorations, Passages Northwest, The Sewanee Theological Review, and The Living Church.  He is a contributing author to Alexandria, a Town in Transition 1800-1900 (Alexandria Historical Society). The DC Commission on the Arts and Humanities and the NEA awarded him an artist fellowship grant for 2006 for his poetry. He has twice won the Writing Program’s Faculty Award for Teaching Excellence. Ed has master’s degrees from Virginia Tech and from the Writing Program. He and his partner live in Washington, D.C.

Rae Bryant’s short story collection, The Indefinite State of Imaginary Morals, released from Patasola Press, NY, in June 2011. Her work has appeared in The Paris Review, StoryQuarterly, McSweeney’s, The Nervous Breakdown, BLIP Magazine (formerly Mississippi Review), Gargoyle Magazine, Opium Magazine, and PANK, among other publications and have been nominated for the Pen/Hemingway, Pen Emerging Writers, and Pushcart awards. She writes book reviews for such places as New York Journal of Books, Washington Independent Review of Books, Puerto del Sol, and Portland Book Review. She has received fellowships from the VCCA and The Johns Hopkins University, where she earned a Masters in Writing, teaches multimedia and creative writing, and is editor in chief of the literary and arts journal, The Doctor T. J. Eckleburg Review.