2 Poems

On Watching a YouTube Video of a Couple Cutting into Cake

The ease with which the steel shovel
cuts into the neutral exterior,
it might make sense to separate things
into neat, consumable slices,
to make each piece
the same size and shape. And
celebrate such order.
Not everything, though, is
either blue or pink.
Sometimes the filling doesn’t go
with the frosting.
Focused as we are on the decorations
—a plastic stork, He or She?
in familiar colors—
we sometimes overlook
the center. Or fail
to examine our own. And miss
the layered truth.

Communion Since COVID

Basilica of the National Shrine of the Little Flower
San Antonio, Texas

What is bread without blood?
Or a Peace be with you
without the shake of a hand?
Separated by pews,
mantillas as common
as masks, we feel
so distant from each other
as we thirst
for wine that accompanies
wafers no longer.

At such times, I envy the apostles
their proximity
to the Healer: the way the beloved disciple
leaned against his chest.
The touch of his ungloved hand
to a kneeling leper. The brush of his cloak
by a hemorrhaging woman.
Each healed, the man killed.
Body wrapped
in clean linen, spiced with myrrh and aloe.

Sealed away in rock
hugged
by thick, cold stone.

Jonathan Fletcher on Instagram
Jonathan Fletcher
Jonathan Fletcher holds a Master of Fine Arts in Creative Writing from Columbia University School of the Arts. His work has been featured in numerous literary journals and magazines, and he has won or placed in various literary contests. A Pushcart Prize, Best of the Net, and Best Microfiction nominee, he won Northwestern University Press’s Drinking Gourd Chapbook Poetry Prize contest in 2023, for which his debut chapbook, This is My Body, was published in 2025. Currently, he serves as a Zoeglossia Fellow and lives in San Antonio, Texas.