Writing Prose

In its broadest sense the term applies to all forms of written or spoken expression having a regular rhythmic pattern. It is most often meant to designate a consciously shaped writing, not merely a listing of ideas or a catalog of objects. And, although, good prose is like verse in having a rhythm (cadence), it is unlike verse in that this rhythm is not to be scanned by normal metrical scenes or makes by such devices of reiteration as free verse exports. But a clear line between prose and poetry is difficult to draw. Some of the qualities of prose are: It is without sustained rhythmic regularity; it has some logical grammatical order, and its ideas are connectedly stated rather than merely listed; it is characterized by style; it will achieve variety of expression through varied diction. (Handbook to Literature)

Intergeneric Prose

Prose that belongs between or among genres; it may combine prose and poetry, or it may cross the boundary between fiction and history. (Handbook to Literature)

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Sources

The Age of Insight: The Quest to Understand the Unconscious in Art, Mind, and Brain, from Vienna 1900 to the PresentEric Kandel.

The Banalization of Nihilism: Twentieth-Century Responses to MeaninglessnessKaren L. Carr.

A Handbook to Literature. William Harmon.

“Cogito et Histoire de la Folie.” Jacques Derrida.

Cognitive Neuropsychology Section, Laboratory of Brain and Cognition.

Eats Shoots and Leaves: The Zero Tolerance Approach to Punctuation. Lynne Truss.

The Elements of Style. William Strunk. 

Beginning Theory: An Introduction to Literary and Cultural Theory. Peter Barry.

Critical Theory: A Very Short Introduction. Stephen Eric Bronner.

Critical Theory Today: A User-Friendly Guide. Lois Tyson

The Critical Tradition: Classic Texts and Contemporary Trends. David H. Richter.

A Handbook to Literature. William Harmon.

Literary Theories and Schools of Criticism. Purdue Online Writing Lab. 

New Oxford American DictionaryEdited by Angus Stevenson and Christine A. Lindberg.

The Norton Anthology of World LiteratureMartin Puchner, et al.

The Norton Introduction to PhilosophyGideon Rosen and Alex Byrne.

Woe is I: The Grammarphobe’s Guide to Better English in Plain English. Patricia T. O’Conner

Writing Fiction: A Guide to Narrative Craft. Janet Burroway, Elizabeth Stuckey-French & Ned Stuckey-French.

Writing the Other. Nisi Shawl and Cynthia Ward.

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Eckleburg is a print and online literary journal that offers original fiction, poetry, essays, music, art, writing workshops and more.