The Eckleburg Reading Series raises the roof at Sky Stage | Frederick News Post

Frederick News Post: Open mic nights often take place in coffee shops or book stores amid patrons chatting over coffee or browsing through books. But what would it be like to read flash fiction or play a song in an intimate setting designated exclusively to literature readings and music performances? And what if that setting was under a starlit sky at night? It seems befittingly poetic. And it’s happening every Thursday from 7 to 9 p.m. as part of Literature Night at downtown Frederick’s recently opened Sky Stage (and occasionally indoor venues downtown in the event of rain). The series is free and open to the public.

To be more specific, Literature Night at Sky Stage is hosting The Eckleburg Reading Series, an outreach of The Doctor T.J. Eckleburg Review, a literary and arts journal based out of The Johns Hopkins University. The reading series began in 2010 — with its journal counterpart — and has taken place in cities such as New York, Baltimore, Chicago and D.C. This is the first year that series has taken place in Frederick.

The Eckleburg Reading Series, conceptualized by Rae Bryant, a Frederick native and editor of The Doctor T.J. Eckleburg Review, is sponsored by the Frederick Arts Council and kicked off on Sept. 22. It runs through Nov. 17 and is slated to re-emerge in the spring.

 

Bryant, whose short story collection “The Indefinite State of Imaginary Morals” earned a Pushcart nomination, said that, since the series premiered in Frederick, Bryant has recruited authors who have traveled from New York, Pennsylvania, Virginia, Oregon and the UK to join the event as featured guests. “It’s really exciting to see all of these people willing to travel and come share this reading series,” Bryant said.

Each reading night typically schedules two to four featured authors, who are given an allotted amount of time to present their work. “We generally have a pretty full featured reading schedule, but we also have a good 20 or 30 minutes at the end to encourage other readers to get up,” Bryant said. She said that members from the public in attendance who would like to read their work or play music don’t need to sign up in advance.

Some of the featured writers who have read at various locations for The Eckleburg Reading Series include Rick Moody and Cris Mazza in Baltimore and Richard Peabody, Daniel Armstrong and Lindsay Lusby in Frederick.

“It’s not just about scheduling the featured readers. … We’re also asking for the Frederick community to come out and not only listen to our featured readers — who are coming from all over the country — but also, we’re asking our local talent to come out and share their stories.”

As far as what genre of writing is typically read at the series, Bryant said, “It is every form. We absolutely love poetry, but we love equally to see fiction and prose and nonfiction, [such as] essays. We find that flash fiction is a really great format for reading in public, or a self-contained excerpt from longer work.”

 

Bryant acknowledges that reading personal work in front of a live audience can be daunting: “I think one of the things that’s really important … for each of these reading series is that everyone feels like it’s a safe space to come and read.”

Bryant is seeking indoor venues to host the series during the winter months. During the series’ hiatus from Sky Stage, The Doctor T. J. Eckleburg Review will have a booth at the AWP Conference (national collegiate writing conference) in February. Bryant encouraged Frederick writers to attend the conference and said it can provide networking opportunities for indie writers. “Eckleburg [staff] would love to have local Frederick writers get involved and will be happy to facilitate events so Frederick writers can network with all the literary journal editors and creative writing programs involved in this annual conference.”

Overall, Bryant said she was pleased with the first season the The Eckleburg Reading Series at Sky Stage. “As a writer myself and creative writing teacher, I am excited and humbled and want to thank our readers both locally and nationally for their support of Frederick arts,” she said.

Introducing Sky Stage! Eckleburg Reading Series with Lindsay Lusby and Rae Bryant on 9.22.16 @ 7pm, 59 S. Carroll St., Frederick MD

Sky Stage 9.22.16

Frederick Arts Council and Eckleburg are excited to announce the Sky Stage Eco-Urban Reading Series, a new literary arts initiative in Frederick, MD. Heather Clark’s Sky Stage, framed by historic stone walls, will include an open-air theater that will seat an audience of 140 people among trees.  Sky Stage is an eco-urban art installation hosting local events: music, literature readings, performances and more. Our first literary reading is September 22, 2016 from 7 to 9 pm, featuring poets/authors, Lindsay Lusby and Rae Bryant, as well as an Open Mic session. Come join us!

 

Featured Readers

Lindsay LusbyLINDSAY LUSBY is the author of the chapbook Imago (dancing girl press, 2014) and winner of the 2015 Fairy Tale Review Award in Poetry, judged by Joyelle McSweeney. Her poems have appeared most recently in North Dakota Quarterly, Tinderbox Poetry Journal,  Third Point Press, and elsewhere. She is the Assistant Director of the Rose O’Neill Literary House at Washington College, where she serves as assistant editor for the Literary House Press and managing editor for Cherry Tree. Read more at lindsaylusby.com.

Rae Bryant, ContributorRAE BRYANT is the author of the short story collection, The Indefinite State of Imaginary Morals (Patasola Press). Her stories, essays, and poetry have appeared in print and online at The Paris Review, The Missouri Review, McSweeney’s, and elsewhere. She has won prizes and fellowships from Johns Hopkins, Aspen Writers Foundation, VCCA and Whidbey Writers. Rae earned a Masters in Writing from Hopkins where she continues to teach creative writing She is the founding editor of The Doctor T. J. Eckleburg Review and Director of The Eckleburg Workshops. She is represented by Jennifer Carlson with Dunow, Carlson & Lerner Literary Agency. Read more at raebryant.com.

 

About Heather Clark

Heather Clark

In her artwork, HEATHER CLARK builds systems that critique our current world predicament. Her work plays on what she calls cultural neurosis: the human tendency to over-consume, over-build, over-groom, etc. in lieu of direct physical exertion to ensure survival.  She views this as a misdirected attempt to satisfy basic primal urges for shelter, food, and clothing in a society where actions are grossly amplified because one gallon of gasoline equals five hundred hours of human work output.

Heather’s work and perspective have evolved from her background in green redevelopment and ecology, and most recently from her life in exurbia, where she has lived and worked for the last four years.  She is embedded in a landscape that feeds on cultural neurosis.  Meadows, forests, and farms transitioning to tract homes and cul de sacs have become her muse.  As an inhabitant of exurbia, Heather is both complicit and trapped in the consumption economy and its byproducts – climate change, inequality, unhealthiness, boredom.

Here, the uncanny valley, which is usually discussed in relation to artificial intelligence, appears to Heather in the industrially designed and generated vernacular; she works with her hands, in defiance.  She dissects infrastructure, places, and the meaning of the built environment and its relation to nature.   Her work becomes a metaphor for the greater ills of a consumption based society.  It is within this landscape that Heather attempts to reveal the messiness that lies beneath over-constructing the perfect life and the near impossibility of escape.

Heather’s work and life has led her to believe that greater satisfaction can be achieved through physical proximity to meeting one’s basic needs – building with one’s hands, using one’s body, growing one’s own food. She yearns to reinvent how we live, using art, architecture and public interventions to catalyze built environments that power themselves, cleanse themselves, transform waste, provide wildlife habitat, produce food, and deeply satisfy inhabitants.

Heather holds a Master of Science in Real Estate Development from the Massachusetts Institute of Technology, School of Architecture and Planning, and a Bachelor of Science from Cornell University, summa cum laude, in Environmental Science and Community Planning, a self-designed major.  Heather founded Biome Studio.  As principal of Biome Studio, Heather previously designed and developed green affordable housing.  Attempting to lead the path toward zero-energy buildings and neighborhoods, she oversaw the largest deep energy retrofit in the U.S., converted historic mills into green affordable housing, and installed over one megawatt of solar pv on 2,300 low-income apartments.  Heather is also an environmental activist, creating the Play-In for Climate Action, a family-oriented climate change protest held in 2014 and replicated many times since by Moms Clean Air Force.

 

Sky Stage Reading Series in Frederick, Maryland

Sky Stage Eco-Urban Reading Series

Frederick Arts Council and Eckleburg are excited to announce the Sky Stage Reading Series, a new literary arts initiative in Frederick, MD. Heather Clark’s Sky Stage, framed by historic stone walls, will include an open-air theater that will seat an audience of 140 people among trees.  The centerpiece of Sky Stage is a digitally-designed sculpture with ribbons of drought-resistant plants that will twist and wind through a wooden lattice structure.  State of the art green roof technology will be modified to support the spiraling plants.  Rainwater will be collected from the adjacent roof and stored in a bright-colored cistern.  Stored rainwater will irrigate the plants and trees. Sky Stage is a public sculpture and outdoor ampitheatre for local events: music, literature readings, performances and more. If you are a writer of poetry, fiction, creative nonfiction or any literary hybrid form, and would like to read at one of our events, please CONTACT US.

Heather Clark is the artist behind the Sky Stage project, which reinvents a currently vacant building downtown as a piece of interactive, public art. The sculpture and open-air theater planned for the building at 59 S. Carroll St. is set to open in September.

FNP: How did you to come up with the idea for Sky Stage?

HC: Since I was a child, I have been fascinated by historic architecture and thinking about the stories of all the people who have occupied our buildings throughout time. I am particularly drawn to boarded-up buildings, because they represent unharnessed potential…. (Nancy Lavin, Frederick News Post)

Heather Clark

In her artwork, Heather Clark builds systems that critique our current world predicament. Her work plays on what she calls cultural neurosis: the human tendency to over-consume, over-build, over-groom, etc. in lieu of direct physical exertion to ensure survival.  She views this as a misdirected attempt to satisfy basic primal urges for shelter, food, and clothing in a society where actions are grossly amplified because one gallon of gasoline equals five hundred hours of human work output.

Heather’s work and perspective have evolved from her background in green redevelopment and ecology, and most recently from her life in exurbia, where she has lived and worked for the last four years.  She is embedded in a landscape that feeds on cultural neurosis.  Meadows, forests, and farms transitioning to tract homes and cul de sacs have become her muse.  As an inhabitant of exurbia, Heather is both complicit and trapped in the consumption economy and its byproducts – climate change, inequality, unhealthiness, boredom.

Here, the uncanny valley, which is usually discussed in relation to artificial intelligence, appears to Heather in the industrially designed and generated vernacular; she works with her hands, in defiance.  She dissects infrastructure, places, and the meaning of the built environment and its relation to nature.   Her work becomes a metaphor for the greater ills of a consumption based society.  It is within this landscape that Heather attempts to reveal the messiness that lies beneath over-constructing the perfect life and the near impossibility of escape.

Heather’s work and life has led her to believe that greater satisfaction can be achieved through physical proximity to meeting one’s basic needs – building with one’s hands, using one’s body, growing one’s own food. She yearns to reinvent how we live, using art, architecture and public interventions to catalyze built environments that power themselves, cleanse themselves, transform waste, provide wildlife habitat, produce food, and deeply satisfy inhabitants.

Heather holds a Master of Science in Real Estate Development from the Massachusetts Institute of Technology, School of Architecture and Planning, and a Bachelor of Science from Cornell University, summa cum laude, in Environmental Science and Community Planning, a self-designed major.  Heather founded Biome Studio.  As principal of Biome Studio, Heather previously designed and developed green affordable housing.  Attempting to lead the path toward zero-energy buildings and neighborhoods, she oversaw the largest deep energy retrofit in the U.S., converted historic mills into green affordable housing, and installed over one megawatt of solar pv on 2,300 low-income apartments.  Heather is also an environmental activist, creating the Play-In for Climate Action, a family-oriented climate change protest held in 2014 and replicated many times since by Moms Clean Air Force.