Conflict is the struggle that grows out of the interplay of two opposing forces. It provides interest, suspense, and tension. (Handbook to Literature)
Internal Conflict vs. External Conflict
Person versus self is arguably the most important struggle within any character-based narrative. How the characters battle their own “demons,” drives a deeper struggle and exploration of what it means to be human, flawed, vulnerable and more. Coupled with internal struggle, are several external conflicts: person vs. person, person vs. nature, person vs. supernatural, person vs. setting, and so on. When the internal struggle of a character parallels the external struggle within a scene, the narrative can take on many layers.
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The Age of Insight: The Quest to Understand the Unconscious in Art, Mind, and Brain, from Vienna 1900 to the Present. Eric Kandel.
A Handbook to Literature. William Harmon.
“Cogito et Histoire de la Folie.” Jacques Derrida.
Cognitive Neuropsychology Section, Laboratory of Brain and Cognition.
Eats Shoots and Leaves: The Zero Tolerance Approach to Punctuation. Lynne Truss.
The Elements of Style. William Strunk.
New Oxford American Dictionary. Edited by Angus Stevenson and Christine A. Lindberg.
The Norton Anthology of World Literature. Martin Puchner, et al.
The Norton Introduction to Philosophy. Gideon Rosen and Alex Byrne.
Woe is I: The Grammarphobe’s Guide to Better English in Plain English. Patricia T. O’Conner
Writing Fiction: A Guide to Narrative Craft. Janet Burroway, Elizabeth Stuckey-French & Ned Stuckey-French.
Writing the Other. Nisi Shawl and Cynthia Ward.« Back to Reference Index