The Doll Show

by Megan Norman

_

I’m well accustomed to picking the eyes of dolls. It seems.
The thread is so tempting. Even though it’s often a
mess underneath my fingernails, that are so rotten.
There are these gold dolls formed from an
angelic mold. Sometimes I glue on black black
wings. From dead crows.
There was one, on my own sidewalk. It looked so nice,
to pet and I just had to pluck a few
dreamy feathers. Which is okay, since it’s
dead and all.
Sometimes, I think, I’m trying to form a web
with thread, just to get close to
something whole. I do have the tears, sometimes, the
fit, when they don’t say ‘hi’. The
dolls, I mean. They lack ivory tongues, flowery socks, and
a messiah, of any sort, I believe. No one would love them, but
me. I love their battered toes, radio lit noses, perched crow
poses. Their eyeless smilings, moon light pilings, telephone leg
wirings. Deformed darlings.
Perhaps.

Today, a red letter, possibly soaked in day old
blood. It stained my mailbox. Not amused. It was from
the crow, even though it was quite blank. It read it read it was
a thread, of sorts, some poorly popped out bones, some sickly red, some
cry fire yellow, a coin all matted and bruised, and fifty fitful feathers, a gleam of
corvidae feathers, that crawled from the void of years. It pained my heart.
hominidae hominidae
I feel I am not this. Either.
I know what I must do. To save a little part of the
world or underworld, whichever cares most.  One key, three keys, there are
a lot of keys, all of them dark and sad. Like me. I hold the keys close to
me, they are, scared little darlings. They are threaded together primitively, meanly
by me. So many doors, I’m bound to fall through, through and through, without any
wings or glue. One glassy stairwell, sea shine blue. It is ready.
To record the grotesque the grandiose voices, which have been so silent
for so long. Without nail or niche to sing to. Without the breath to know
how. My stupid foot steps muddy the sound. And my heart, my heart tries to
thread its own song, make its own long long way to the light. My silly silly
heart. A song like the rings of water stones, or the grave unclosed
on the little souls that battled the cold for too long. I want to kiss them
all. I am so sad. I can already feel the webbing of whispers coming up
the stairs.

Stairs.
All of them, gathered in a line. Crocodile skin bows,
rabbit tongue purses, squirrel tail teeth, dog breath
pendants, butterfly stained skin. Bear like brides and whale like
ties. Bears. Whales. Insect brains mammoth games horse hoof manes rhinoceros names star fish pains camel back rains sea horse stains cow slaughter strains house cat tames
jellyfish veins moon back wanes black crow blame
the blame.
All of it
All of this
Crying


Megan Norman is a senior at the University of Iowa majoring in creative writing and theatre. Previous publications include Danse Macabre and The Susquehanna Review. She enjoys strange fashion, playing the piano, and her pet rabbits. Her favorite poet is Emily Dickinson. She would like to thank her fiance Michael Alliss for support and inspiration.


Camping

Russell Jaffe

by Russell Jaffe

_
Now look:
everyone took turns to talk, there are black braches, the birch bark tears quickly
a______like an envelope
It isn’t a lying, shirtless night, and there aren’t crickets
it’s cold
the surf melodies a scatter in leaves
a_____dead ladybugs salt the sand. There’s sand in my dinner and the salt tastes like a dead ocean. _

I love: I have loved, I am in love now. I am over here, I am distant in love
something in an overhanging cover of dead branches told us that’s ok
a_____somebody built a lighthouse that a robot runs now,
a_____and there was a sign driven wet into the sand that said KEEP OUT
but we came in the wrong way from behind
a_____and from a science perspective, from a rational perspective, from a quiet perspective
there were so many ways to enter

a_____a_____how could we have seen the sign?
a_____And why was there a shed for firewood in a forest of downed, dry trees
dry in the cold, dry, dry crisply hanging in branches on the ground over the damp undergrowth
a_____firewood cold is as useless as smoke
a_____smoke, smoke decidedly goes up and up from our surrounding figures like a secret helicopter, our firewood smoke
into trees, how I wanted to capture that flow but I only have time for another beer,
So, what I gather:
We have marshmallows, fire and
a_____a seat
a_____something other than

 

 

Russell Jaffe teaches English at Kirkwood Community College in Cedar Rapids, IA and holds an MFA in poetry from Columbia College in Chicago. His poems have appeared in Shampoo, MiPOesias, The Portland Review, Spooky Boyfriend, Writer’s Bloc, and others. Additionally, he writes a hot sauce review blog called Good Hurts.

Nurse Anonymous

Nurse Anonymous by Alan Britt

by Alan Britt



The squawk of the trumpet
muffled by generations of slavery.

Survival rate
wasn’t so good.

Though the ones
who did survive
eagerly stepped forward
in their black and white
wing-tips,
tapping.

Outrageous, Nurse Anonymous joins
a gangsta gang,
prepared for almost anything
that comes her way.

She eats clocks
and devours tour busses
on their way to Texas barbeques.

She’s a pregnant buffalo
frightened off a Colorado cliff,
1836.

She’s a bamboo whistle
trapped inside a heart bypass.

She shakes her patriotic fist of helium balloons
waving above a Home Depot parking lot.

The sleepy eyelid of a 35-mm lens
droops when confronted
by her aura.

Someone insists it must be
a double-exposure.

Nurse Anonymous went to Raeford Prison,
North Carolina, 1967.

During time off for good behavior
she entered a liquor store,
West Palm Beach, 1969,
blasting her way
out the narrow front door,
wounded,
wobbled,
looking directly
into death’s dusty blue eyes.

Good thing tenderness
runs in our species;
otherwise, a giant, blue-ringed octopus
might mistake us all
for tasty zebra shrimp.

Turn to your left
and you have the stunning green eyes
of Nicole Kidman.

Turn to your right
and you embrace
the coffee black eyes
of the one who delivered me
from this world,
Nurse Anonymous,
migrating the Alaskan ice
so that walruses
might cultivate their profound sadness.

Loyalty notwithstanding,
we’re barely adolescents
in human history.

I pity our poor children,
even though, hurtling towards dementia, I’ve finally discovered
I’m one of them.


Alan Britt received his Masters Degree from the Writing Seminars at Johns Hopkins University. He performs poetry workshops for the Maryland State Arts Council and occasionally publishes the international literary journal, Black Moon, from Reisterstown, Maryland, where he lives with his wife, daughter, two Bouviers des Flandres, one Bichon Friese, and two formerly feral cats.