last year, as a lush

Charlotte Covey

  1. start with you: silvered eyes that made me. a violet knee, a sucked neck. heavy

    tongue, a brew made in cauldrons and bedrooms.

  2. maybe i was mania you
    craved. a love potion, quick to fade. read the label: 24 hours only. this spell hungers blood.

  3. i am nothing but a mouth. i drink your salt, your candle wax. i’ll drink anything                you tell me. ll me.

 

Charlotte Covey is from St. Mary’s County, Maryland. Currently, she is an MFA candidate in poetry at the University of Missouri – St. Louis. She has poetry published or forthcoming in journals such as The Normal SchoolSalamander MagazineSlipstreamThe MacGuffin, and Cider Press Review. She is co-editor-in-chief of Milk Journal.

 

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About Eckleburg

The Doctor T. J. Eckleburg Review is a print and digital literary journal. We offer original fiction — short stories, short short stories, hybrid—poetry and nonfiction. We also curate The Eckleburg Gallery — visual artwork and intermedia — as well The Groove including first released, original music by The Size Queens. Our archives include emerging and established writers, poets, artists, musicians and performers such as Rick Moody, Cris Mazza, Eurydice, Steve Almond, Stephen Dixon, Moira Egan, David Wagoner, Zach Galifianakis and many more. We run annual print issues, The Eckleburg Reading Series (DC, Baltimore, Chicago, New York….), as well as, the annual Gertrude Stein Award in Fiction with a first prize of $1000 and print publication.

The God of Today

The God of Today, part 1
                                    We are in the far country,
green pastures and a scatter
of stars. Morning!
The water clobbered with light
is filled with a wild emptiness: no spoons,
steering wheels or stones. My daughter, Sunday
school, a white frame church tucked
among the Douglas firs—blurred bluffs of a hundred
bays along the misty horizon.

                                           The God of Today
is a glacier and it is                                            a late time
to be living.                                                Ask the sea rock, ask
the salt mountain,                             foothills and farms, sounds
of hooves, smell of sagebrush—another year of exposure, of rain—let us gather
the cattle before moon-
rise.

 
 

 

Amanda Sharon often thinks about the cylindrical nature of time, the illusion of fear, and ancient cultures. She currently lives in Columbus and studies at The Ohio State University. 

 

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Support our Adopt a Contributor Program and donate 60% of your donation to this contributor. When a reader submits a donation on a contributor’s page, 60% of the donation will be forwarded directly to the contributor’s PayPal account. If you love fiction, poetry, nonfiction, music and art, join us in supporting our talented writers and artists.

About Eckleburg

The Doctor T. J. Eckleburg Review is a print and digital literary journal. We offer original fiction — short stories, short short stories, hybrid—poetry and nonfiction. We also curate The Eckleburg Gallery — visual artwork and intermedia — as well The Groove including first released, original music by The Size Queens. Our archives include emerging and established writers, poets, artists, musicians and performers such as Rick Moody, Cris Mazza, Eurydice, Steve Almond, Stephen Dixon, Moira Egan, David Wagoner, Zach Galifianakis and many more. We run annual print issues, The Eckleburg Reading Series (DC, Baltimore, Chicago, New York….), as well as, the annual Gertrude Stein Award in Fiction with a first prize of $1000 and print publication.

The Allegory of the Paddle Boat

The Allegory of the Paddle Boat

You and your paddle-boat-mate are on a paddle boat at sea, which, according to the owner’s manual, is “not recommended.” You toss the owner’s manual overboard. The sandy ocean bottom disappears, but you could still swim back to shore in case of mutiny. You pedal until the water becomes choppy. This makes you nervous, and the owner’s manual is on the ocean floor. It rains on the water, dramatically, and great waves fill the paddle boat. One of you holds the steering handle with both hands while the other bails water with a baseball cap. You are pleasantly surprised to survive. You realize that it would have been easier to have lightened the load, but you didn’t think of it like your paddle-boat-mate must not have thought of it, and you feel an unbearable warmth pooling within you. You imagine jumping paddle boat into a great white’s hungry jaws to prove this. But the water is calm now, and you pedal on. You notice there is one steering handle.

You wake up pedaling airyou are caked with sand. You must have rolled over in your sleep, must have tumbled overboard. You can’t see past the shore for the fog. The water is two steps in every direction. There is a palm tree with some coconuts. There is no pistol because this must not have been the planbut what a salty fear fills you, even after the baseball cap and the great white. Surely the sloshing of the paddle boat will soon return. Eons pass. You realize the current is stronger than the pedaling and always has been. But this warm pool inside you. The fog clears, and there you are on the shore, peering across the waves. You see other islands with similar shores and their waiting faithful, standing solitary at the water’s edge. And you realize how mistaken you were, thinking all this time that you were alone.


jenelle-clausen_author-closeup_black-and-white

Jenelle Clausen received an MFA in creative writing from Bowling Green State University and resides in Madison, Wisconsin. She drafts poems on loose-leaf college-ruled notebook paper with an 0.5 mm black gel pen, sometimes in the fluorescent glow of her living room floor lamp, sometimes in the incandescent glow of her side table lamp, and sometimes in a commingling of artificial lights.