Famously Rejected

plath cakeSo yes, we all probably know that Sylvia Plath killed herself by sticking her head in an oven. But did you know her favorite thing to bake was a classic tomato soup cake with cream cheese frosting? (Bake at 350 degrees for one hour)

 

Perhaps you know that Joseph Heller’s Catch-22 was originally titled Catch-18, but because a World War II novel by Leon Uris called Mila 18 recently came out, and in order to avoid reader confusion, Heller went with Catch-22. But, before Heller even got to the point in which he had to decide on the final title of his novel, he had to experience getting a rejection letter in which the editor stated, “I haven’t the foggiest idea about what the man is trying to say. Apparently the author intends it to be funny.”

 

mitchell

Louisa May Alcott is a bad ass, because even though one publisher rejected Little Women and told her to “stick to teaching,” she still went for it. And what’s happening 140 years after it was published? It’s still selling millions.

 

Random word fact for the day: People used to use “thon,” which is the third-person singular for “that one.” Gender ambiguities be damned! I’m bringing this one back.

 

Gone with the Wind has thus far sold 30 million copies. Thankfully, Margaret Mitchell is quite tenacious as the novel was rejected 38 times before a publisher picked it up.

 

And, for all you novelists out there, here’s a quick list of famous rejected novels so you don’t feel so bad about yourself:

  • A Wrinkle in Time: Madeleine L’Engle received 26 rejections, yet won the 1963 Newbery Medal.
  • Dubliners: 22 rejections. Plus, for its first year it only sold 379 copies, 120 of which James Joyce bought himself.
  • Zen & the Art of Motorcycle Maintenance: Rober M Prisig holds the Guinness Book of Records for the most rejections of a book: 121. Current status of book: best-seller.

 

Stephen King wrote under the name Richard Bachman so he could prove to the world that a horror author could write more than one book a year and still be taken seriously.

 

Gotta love Gertrude Stein. Not only did she sardonically declare in 1934 that Adolf Hitler should be awarded the Nobel Peace Prize. She also named her cat Hitler. What a lady.

parker

 

And for the no way fact of the day: Dorothy Parker published a short story in The New Yorker called “Lolita” three weeks before that other Lolita came out. Weird, right? What’s freaky is that Parker’s story was about an old man, a teenager, and a jealous mother. Hmmmm.

 

If you did not know that “Frankenstein” refers to the scientist and not the monster, then go read that book again. What’s not as well known, though, is that Mary Wolstonecraft Shelley wrote Frankenstein after she and her soon-to-be hubby, Percy, visited Lord Byron in Switzerland, and as they read German horror stories translated into French during that trip Byron challenged them all to write their own supernatural tale. And that is how Frankenstein was born.

 

And finally: you’re not too special if you know that Jack Kerouac wrote On the Road in three weeks on a continuous sheet of paper. However, only the special ones know that the Navy rejected him because he was mentally unstable. Yes, leave it to the crazies to create something famous.

 

kerouac mug shot

 

 


 Chelsey Clammer received her MA in Women’s Studies from Loyola University Chicago, and is currently enrolled in the Rainier Writing Workshop MFA program. She has been published in The Rumpus, Atticus Review, and The Coachella Review among many others, and has an essay forthcoming in the South Loop Review. She is an award-winning and Pushcart Prize nominee essayist. Clammer is the Managing Editor and Nonfiction Editor for The Doctor T.J. Eckleburg Review, as well as a columnist and workshop instructor for the journal. She is also the Nonfiction Editor for The Dying Goose. Her first collection of essays, There is Nothing Else to See Here, is forthcoming from The Lit Pub, Fall 2014. You can read more of her writing at: www.chelseyclammer.com.


 

Chelsey Clammer
Chelsey Clammer is an award-winning essayist who has been published in The Rumpus, Essay Daily, The Water~Stone Review and Black Warrior Review among many others. She is the Essays Editor for The Nervous Breakdown. Her first collection of essays, BodyHome, was released from Hopewell Publishing in Spring 2015. Her second collection of essays, There Is Nothing Else to See Here, is forthcoming from The Lit Pub. You can read more of her writing at chelseyclammer.com.

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