Fiction

Featured Artist | Kim Buck

“Being a good lit citizen means supporting lit pubs. Donate. Buy. I’m going to show some #AWP17 mags that you need to support…. @NoTokensJournal, @EckleburgReview, @open_letter.” —Meakin Armstrong (Guernica)

 

Blue Dolphins

Back when Anna Gil could still walk, she avoided it.

“God gives nuts to the toothless,” she said to the people who visited her, and there were still a few. The others reduced their visits until they slid over and out of the frame of her life .

In the month after the accident, unfamiliar people showed up to express their appreciation, ask questions or spy a little. Beside the police officers, church goers and someone from the city hall who praised her officially, a group of untidy, silent guests also walked in. They huddled in the olive-green corner of her otherwise white and black living room. Bruno, her man, sort of, recognized them as colleagues of the boy’s family, artisans from the art fair, who sold straw hats, bamboo panels, and organic soaps, every item a hundred percent natural . . . .

Avital Gad-Cykman’s flash col­lec­tion Life In, Life Out was pub­lished by Matter Press. Her sto­ries have been pub­lished in The Literary Review, Ambit, CALYX Journal, Glimmer Train, McSweeney’s, Prism International, Michigan Quarterly Review and else­where. They have also been fea­tured in antholo­gies such as W.W. Norton’s International Flash Anthology, Sex for America, Politically Inspired Fiction, Stumbling and Raging, Politically Inspired Fiction Anthology, The Flash, and The Best of Gigantic. Her work won Margaret Atwood Society Magazine Prize, was placed first in The Hawthorne Citation Short Story Contest, and was a finalist for Iowa Fiction Award for story collections. She lives in Brazil.

How to Seduce Your Pediatrician

You must choose. Once the baby makes its way out—and he will make his way out in a splash of fluid after the kind of crowning you won’t soon forget—the moments that make up your life will cease to be ones you choose. It is August. The trees wilt in the heat. The grass burns. Your ankles swell. You hold your belly with your hands, cradle it as if it might detach itself if you are not watchful, as if it might fall away from the rest of you if you let go . . . .

Laurie Foos is the author of Ex Utero, Portrait of the Walrus by a Young Artist, Twinship, Bingo Under the Crucifix, Before Elvis There Was Nothing, The Giant Baby, and The Blue Girl. She teaches in the MFA program at Lesley University and in the BFA program at Goddard College.

Every Day

It has been years since it happened. She is a still mother. Meaning, she keeps her body very still and she still considers herself a mother. She is rigid about this….

Nicole Miyashiro writes fiction and poetry and is an editor for the Pennsylvania Center for the Book at Penn State University. She has published stories, poems, and reviews, including one Pushcart Prize nominee. She created ‘Words of Art,’ an ekphrastic audio poem project, and is writing other stories linked to “Spectators.”

Eckleburg Workshops in Fiction

Short Story Workshop

Short Short Story Workshop

Novel: From Start to Finish Workshop

Magic Realism Workshop

Writing Sex in Literary Fiction: Are Your Sex Scenes Essential or Gratuitous?

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Submit Your Fiction

Essays

“Refreshing… edgy… classic… compelling.” —Flavorwire

 

Charlotte Sometimes

As a teenager, my favorite band was the Cure. This was pre-Radiohead, pre-Editors, before bands—even alternative bands—tended to be literary. Yet the Cure turned out songs like “Killing an Arab,” based on The Stranger by Albert Camus, and “How Beautiful You Are,” an echo of Charles Baudelaire’s essay “The Eyes of the Poor” (both facts that I discovered, in those dark ages before Google, when I fortuitously—serendipitously?—stumbled upon the originals… one in a borrowed book that I came this close to not taking home with me). In that arid early-90s musical landscape, the Cure was an exception in more ways than one (the Smiths were another, but Morrissey has gone so far off the deep end with his white nationalism these days that I find it hard to listen to his music). I remember, during those years, several vivid dreams featuring the band’s teased-haired, heavily made-up vocalist Robert Smith, including one in which he appeared at my Shelby, North Carolina home to take me away with him.

 

April Vázquez is the winner of the William Van Dyke Short Story Prize and a Pushcart, Best of the Net, and Orison Anthology award nominee. Her favorite line from a novel is, “Jane had occasionally tried to develop her own hidden depths, but she never could decide what to hide and how far down.”

Clutter

The drawer on the right side of my desk is similar to the drawer my mother kept under the counter, next to the refrigerator in my childhood home. One I opened daily in search for something, but never finding what I needed inside. Hers held

old pens with the names of realtors and contractors;

mini-calculators, mostly broken;

half-eaten Snickers bars and bags of M&Ms.

Mine with old ticket stubs,

ash from cashed pot pipes,

candy wrappers and

antidepressants spilled from the broken, child-

proof lid, lost somewhere beneath the chaos.

 

Andrew Walker is the co-founder of Howl With Us, an arts collective aimed at spreading accessible art around the country. His fiction, nonfiction, and poetry is published or upcoming in New Pop Lit, Literary Juice, paperplates, Crack the Spine, and others. He is a graduate of Colorado State University and is currently writing in Denver, Colorado.

What’s Fair and Unfair

It was past 9:00 pm when our family scuttled out of customs with oversized wheeled suitcases, handheld computers, lunch bags, stuffed animals, and an address. August 2013: we’d just arrived to begin a nine-month stay in Oaxaca, Mexico. I’d received a Fulbright to research American adults studying Spanish abroad. In the main airport terminal, a group of Oaxacans, waiting for their own loved ones, beamed at the sight of my daughter, reaching to touch her and cooing endearments.

“!Muñeca!” [doll!]

“¡Es una angel!” [she’s an angel!]

“¡Mira sus ojos tan azules!” [look at her blue eyes!]

“¡Qué preciosa!” [how precious!]

Melisa Cahnmann-Taylor, Professor of Language and Literacy Education at the University of Georgia, is the author of Imperfect Tense (poems), and three scholarly books in education. Winner of NEA “Big Read” Grants, the Beckman award for “Professors Who Inspire,” and a Fulbright for nine-month study of adult Spanish language acquisition in Oaxaca Mexico, she is also the poetry editor for Anthropology & Humanism and judges ethnographic poetry competition. Her work has appeared in Georgia Review, American Poetry Review, Women’s Quarterly Review, Cream City Review, Barrow Street, and many other literary and scholarly homes. She posts at her blog http://teachersactup.com.

Essay and Other Nonfiction Workshops at Eckleburg

Personal Essay

Lyric Essay

Body Narrative

Modern Memoir

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Submit Your Nonfiction

Poetry

“The most exciting and adventurous and gutsiest new magazine I’ve seen in years.” —Stephen Dixon

 

amphibian logbook

we still played/with dolls/when names were multiplied….

Helena García Mariño, Madrid (Spain), 1990. She studied Law and Political Science and Comparative Literature in Madrid, Spain. She’s graduated in May, 2017, in the MFA in Spanish Creative Writing at the University of Iowa. She´s currently working on her first book of poems, the tongue in pieces.

Manifesto II

chuck palahniuk was/buddha the late show host sang/lullabies….

Helena García Mariño, Madrid (Spain), 1990. She studied Law and Political Science and Comparative Literature in Madrid, Spain. She’s graduated in May, 2017, in the MFA in Spanish Creative Writing at the University of Iowa. She´s currently working on her first book of poems, the tongue in pieces.

archaeology

my mother decides that sundays are the day for broken things. the week dies into cracks and i need to learn to suture it….

Helena García Mariño, Madrid (Spain), 1990. She studied Law and Political Science and Comparative Literature in Madrid, Spain. She’s graduated in May, 2017, in the MFA in Spanish Creative Writing at the University of Iowa. She´s currently working on her first book of poems, the tongue in pieces.

Eckleburg Workshops in Poetry

The Poetry Workshop

The Poetry Chapbook Workshop

Writing the Short Poem Workshop

The Beats Workshop

Spirit of Writing Workshop

Mindfulness & Writing Workshops

Hybrid: Crafting, Publishing & Promoting Hybrid Work

Literary Matchmaking Workshop

Breaking Rules: When and How to Leave Linguistic Conventions Behind  Workshop

Evolving Origins in Fiction, Poetry, Creative Nonfiction and Hybrid Workshop

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Submit Your Poems

Groove

 

Melanianade

Melania Trump (Cecily Strong), Ivanka Trump (Emily Blunt), Kellyanne Conway (Kate McKinnon), Omarosa (Sasheer Zamata) and Tiffany Trump (Vanessa Bayer) can no longer stand by Donald Trump (Alec Baldwin).

THE MAKE UP @ Black Cat

The Make Up was an American post-punk band from Washington, D.C. formed in 1995, consisting of ex-Nation of Ulysses frontman Ian Svenonius on vocals, James Canty on guitar and organ, Steve Gamboa on drums, and Michelle Mae on bass guitar. The Make-Up were joined in late 1999 by a fifth member, Alex Minoff (of the groups Golden and Extra Golden), who played guitar with the group until the band’s dissolution in early 2000.

AETHER | Catharsis

Catharsis: One of the great unsettled issues. That it implies a beneficial cathartic effect produced by witnessing a tragic action is clear; how it is produced is in question. Some believe that the spectators, by vicarious participation, learn through the fate of the tragic hero, that fear and pity are destructive and thereby learn to avoid them in their own lives (this interpretation is clearly didactic). Others believe that the spectator, being human and thus subject to disturbing emotions of fear and pity, has this imbalance rectified and these internal agitations stilled by having an opportunity vicariously to expend fear and pity on the hero…. (Handbook to Literature)

MYSTIC BRAVES | Great Company

Mystic Braves: Julian Ducatenzeiler (guitar & vocals), Tony Malacara (bass & vocals), Shane Stotsenberg (guitar & vocals), Cameron Gartung (drums), Ignacio Gonzalez (organ/tambourine)

HUMBLE FIRE | Taliesin

Humble Fire’s upcoming album Builder explores physical and emotional experiences around loss and reconstruction, from family deaths and failed romances to the shocks and stresses they have navigated as a band. Through those experiences, they’ve come to appreciate that reconstruction isn’t something you can tackle on your own: it requires an entire crew. Builder, then, is as much about that process of putting yourself back together, as it is about the relationships that can help or hinder that process. Since Humble Fire’s members have known each other over the past five or so years, they’ve all shown up for each other in different ways as part of that reconstruction crew. They’re lucky to have found family in each other in that way. 

 
Being a good lit citizen means supporting lit pubs. Donate. Buy. I’m going to show some #AWP17 mags that you need to support… .” Meakin Armstrong (Guernica)
 
The most exciting and adventurous and gutsiest new magazine I’ve seen in years.” Stephen Dixon
 
Refreshing… edgy… classic… compelling.” Flavorwire
 
Progressive….” NewPages
 
Eye-grabbing… fun… bold… inviting… exemplary.” Sabotage
 
 
Eclectic selection of work from both emerging and established writers….” The Washington Post
 
Literary Burroughs D.C…. the journal cleverly takes its name from the The Great Gatsby. F. Scott Fitzgerald….” Ploughshares
 

Proud member of the Council of Literary Magazines and Presses.

 

The Doctor T. J. Eckleburg Review was founded in 2010 as an online and print literary and arts journal. We take our title from F. Scott Fitzgerald’s The Great Gatsby and include the full archives of our predecessor Moon Milk Review. Our aesthetic is eclectic, literary mainstream to experimental. Write hard. We appreciate fusion forms including magical realist, surrealist, meta- realist and realist works with an offbeat spin. We value character-focused storytelling and language and welcome both edge and mainstream writing with punch aesthetics. We like humor that explores the gritty realities of world and human experiences. Our issues include original content from both emerging and established writers, poets, artists and comedians such as authors, Rick Moody, Cris Mazza, Steve Almond, Stephen Dixon, poets, Moira Egan and David Wagoner and actor/comedian, Zach Galifianakis.

Currently, Eckleburg runs online, daily content of original fiction, poetry, nonfiction, translations, and more with featured artwork — visual and intermedia — from our Gallery. We run annual print issues, the Eckleburg Reading Series (DC, Baltimore and New York), as well as, the annual Gertrude Stein Award in Fiction, first prize $1000 and print publication, guest-judged by award-winning authors such as Rick Moody and Cris Mazza. Write hard.

We have collaborated with a number of talented and high profile literary, art and intermedia organizations in DC, Baltimore and New York including The Poetry Society of New York, KGB Bar, Brazenhead Books, New World Writing (formerly Mississippi Review Online), The Hopkins Review, Boulevard, Gargoyle Magazine, Entasis Press, Barrelhouse, Hobart, 826DC, DC Lit and Iowa’s Mission Creek Festival at AWP 2013, Boston, for a night of raw comedic lit and music. We like to promote smaller indie presses, galleries, musicians and filmmakers alongside globally recognized organizations, as well as, our local, national and international contributors.

Over the ashheaps the giant eyes of Doctor T. J. Eckleburg kept their vigil, but I perceived, after a moment, that other eyes were regarding us with peculiar intensity from less than twenty feet away.  —The Great Gatsby, F. Scott Fitzgerald