Fiction

Featured Artist | Kim Buck

“Being a good lit citizen means supporting lit pubs. Donate. Buy. I’m going to show some #AWP17 mags that you need to support…. @NoTokensJournal, @EckleburgReview, @open_letter.” —Meakin Armstrong (Guernica)

The Soul Shoppe

Nathaniel Tower | Darrel Donaldson rolled through the white-tiled hallway in the wheelchair the nurse had given him the day before.

Honey

Melissa Ross | In our carnivorous garden in the country, a slew of beehives bobbed and glowed sensually in the dark, buzzing like tiny floating homes.

Thieves

She steals. I watch her in the wine store. Instead of going for a normal-sized bottle, she takes a showcased magnum shaped like a black missile. Somehow it stays inside her flouncy skirt. On the counter is a silver platter with three, pie-shaped cuts of brie and a fan of domino crackers. She filches the …

BIG BLISS @ Slash Run 3.7.19

Very rarely these days does a band enter our lives with the ability to speak to every corner of the heart. Brooklyn trio Big Bliss to navigate the beauties and pains of the human experience on their new LP, At Middle Distance. Having come together in late 2015, Big Bliss is the beautifully ruminating post-punk brainchild of brothers Tim and Cory Race. The brothers, having been split early on, each with a separate parent, had never played together over a cumulative 25 years of music, until both moved to New York from the Midwest. Years into living blocks from each other, they formed the band with friend and collaborator Wallace May, initially as a casual recording project. However, after the 2016 release of their debut EP Keep Near, motives and motivations shifted, and it became pretty difficult not to see the name Big Bliss on a show bill, especially at the remaining DIY spaces in NYC. Tireless efforts and undeniable passion on and off the stage landed the band on FIVE tours, and earned them the title of Oh My Rockness’ Hardest Working Band of 2017.

At Middle Distance speaks in urgent tongues, desperate to convey unknowable longing, like every great post-punk artist who came before. Moments of joy, moments of unspeakable sadness, moments of rage, all rub shoulders through these songs, and by the record’s end, you’ve undoubtedly run the gauntlet.

 

 

Eckleburg Workshops in Fiction

Short Story Workshop

Short Short Story Workshop

Novel: From Start to Finish Workshop

Magic Realism Workshop

Writing Sex in Literary Fiction: Are Your Sex Scenes Essential or Gratuitous?

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Essays

“Refreshing… edgy… classic… compelling.” —Flavorwire

The Things I know: A Croatian Lesson

It was during a third grade pool party, surrounded by kids splashing in bright bathing suits and adults carting ice-pops and lemonade, when I learned I couldn’t say my own last name. What should have been facile and fundamental for me as an eight-year-old became an embarrassing revelation, coming as it did from an old …

Losers, Chicks, and Secret Identities

It was dread. That was what I was facing if my secret ever got out. Few people would understand it, and almost nobody knew about it, because I was very good at hiding it, but it was always there in the background. My comic book collection was my very own treasure horde, and I protected its secrets like a king of misers, but it was not solely to defend it against covetous hands, since the deeper fear lay in never allowing the world to know that I identified with it in the first place. The only instances when I voluntarily exposed my hidden love for comics outside the walls of my home was every time I entered a comic book store to get something fundamental in me fulfilled.

You sacrificed some semblance of self as a comic book fan back in the day. You were an outsider, some kind of weirdo. Looking around at the monstrous success garnered by the industry today, you would at least think it unlikely. My wife thinks I’m exaggerating when I declare that in those days, we comic book fans had to hide. We, the unprofessed and reluctant “geeks,” would keep that stuff in a distant corner of our lives, unknowingly leading the secret identity you read about in the actual comic books we were collecting. Superheroes were all about secret identities, and when Spiderman changed back to the nerdy Peter Parker, it was a leap across fantasy and straight into the reality of almost every fan who was reading such stuff.

Rey Armenteros is a Los Angeles-based painter and writer who writes the blog, Through Concentrated Breath. He has pieces forthcoming in Magnolia Review, Umbrella Factory Magazine, and Still Point Arts Quarterly.

Bitter Fruit

When I learned that my old friend, Greg (I’ll call him), had died from brain cancer, I felt relief at his release. His final weeks had been horrible, his mind gone, his body shrunken and twisted, incontinent, the shell of him writhing in dark pain. We had been friends since our first week in college many years ago, his infectious enthusiasm enduring through his success as a management consultant and his hobby of lead roles in amateur musical productions. Even at the end, when he had lost the power of coherent speech, he revived to sing snatches of show tunes, lyrics still embedded in his diseased brain when all else was lost.

 

Walter Cummins has published seven short story collections—Witness, Where We Live, Local Music, The End of the Circle, The Lost Ones, Habitat: stories of bent realism, Telling Stories: Old and New. He also has a collection of essays and reviews called Knowing Writers. More than one hundred of his stories, as well as memoirs, essays, and reviews, have appeared in magazines such as New Letters, Kansas Quarterly, Virginia Quarterly Review, Under the Sun, Arts & Letters, Confrontation, Bellevue Literary Review, Connecticut Review, in book collections, and on the Web. With Thomas E. Kennedy, he was founding co-publisher of Serving House Books, an outlet for novels, memoirs, and story, poetry, and essay collections. For more than twenty years, he was editor of The Literary Review.

Essay and Other Nonfiction Workshops at Eckleburg

Personal Essay

Lyric Essay

Body Narrative

Modern Memoir

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Submit Your Nonfiction

Poetry

“The most exciting and adventurous and gutsiest new magazine I’ve seen in years.” —Stephen Dixon

 

From We Take Me Apart (A Novella)

In a different version it was not a pea but a cocoa bean/you came to us in the night/soaked in cold/trembling with fatigue…

Molly Gaudry is the author of the verse novel, We Take Me Apart (Mud Luscious Press, 2009), and the editor of Tell: An Anthology of Expository Narrative (Flatmancrooked, 2010). She curates Walking Man Gallery, edits Willows Wept Press and Willows Wept Review, is a co-founding editor of Twelve Stories, and is an associate editor for Keyhole Magazine. She writes occasional book reviews for East&West Magazine, and she’s currently tweeting a chapter of her new verse novel, FLORA THE WHORE, every few days on Twitter.

One Veers Always Towards the Precipice of Familiarity

Our neighbors sun themselves indiscriminately.
See the after affects,
the linear contortions as chaise lounges buckle.

Trailer Trash

His eyes didn’t smile. Thin lips and ungenerous, intermittent staying in the house and in it. And in it he took off and went places, no one knows.

Eckleburg Workshops in Poetry

The Poetry Workshop

The Poetry Chapbook Workshop

Writing the Short Poem Workshop

The Beats Workshop

Spirit of Writing Workshop

Mindfulness & Writing Workshops

Hybrid: Crafting, Publishing & Promoting Hybrid Work

Literary Matchmaking Workshop

Breaking Rules: When and How to Leave Linguistic Conventions Behind  Workshop

Evolving Origins in Fiction, Poetry, Creative Nonfiction and Hybrid Workshop

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Submit Your Poems

Groove

 

BIG BLISS @ Slash Run 3.7.19

Very rarely these days does a band enter our lives with the ability to speak to every corner of the heart. Brooklyn trio Big Bliss to navigate the beauties and pains of the human experience on their new LP, At Middle Distance. Having come together in late 2015, Big Bliss is the beautifully ruminating post-punk brainchild of brothers Tim and Cory Race. The brothers, having been split early on, each with a separate parent, had never played together over a cumulative 25 years of music, until both moved to New York from the Midwest. Years into living blocks from each other, they formed the band with friend and collaborator Wallace May, initially as a casual recording project. However, after the 2016 release of their debut EP Keep Near, motives and motivations shifted, and it became pretty difficult not to see the name Big Bliss on a show bill, especially at the remaining DIY spaces in NYC. Tireless efforts and undeniable passion on and off the stage landed the band on FIVE tours, and earned them the title of Oh My Rockness’ Hardest Working Band of 2017.

At Middle Distance speaks in urgent tongues, desperate to convey unknowable longing, like every great post-punk artist who came before. Moments of joy, moments of unspeakable sadness, moments of rage, all rub shoulders through these songs, and by the record’s end, you’ve undoubtedly run the gauntlet.

 

 

PARROT DREAM @ Slash Run 3.7.19

“Hypnotized with angelic shoegaze vibes that touch on the bigger questions in life.” ~ The Wild Honey Pie

Light Goes is a fully realized album experience set to accompany and enhance whatever mood you may want to indulge and lose yourself in.” ~ New Noise Magazine

“Beneath the dreamy contours of their music lies heavy thematic content that seeks to better understand relationships, time and place, purpose, and so forth.” ~ Atwood Magazine

The dazzling, sprawling sonic atmospheres conjured by Brooklyn-based band Parrot Dream envelop and spur the dreamer in all of us. Formed by Christina Hansen Appel (vocals, keys) and Gonzalo Guerrero (guitar) in Santiago, Chile in 2013, the duo relocated to Brooklyn, NY and quickly began making strides amassing more than half a million streams on Spotify.

GENIUS REDUX: Erykah Badu @ NPR Tiny Desk

 

Aug. 15, 2018 | Felix Contreras — Some folks around the NPR Music office said they felt an almost spiritual connection to Erykah Badu during her visit to the Tiny Desk. And that was before she and her band even played a single note. It came from the waft of earthly scents that followed in her wake, to the flowing dreads and clothes that hung on her like robes . . . SO MUCH MORE.

THE CHILLS @ Black Cat 2.24.19

The Chills are a band from Dunedin, New Zealand fronted by the rare talent of Martin Phillipps. Martin has a single-minded determination to take quality, original NZ-sounding, melodic rock music global. His requirement of band members has been to meet a standard of musicianship, which is necessary to deliver The Chills songs with essential consistent energy. This determination stems from the punk rock ethics of Martin’s musical awakening and from the subsequent proximity to people like Chris Knox who drove home how crucial it was to deliver music always with intensity and conviction. This live energy is the central reason why The Chills are remembered fondly in all of the thirty-nine countries that they have thus far visited. It’s the combination of this AND the consistent quality of their songs which have established The Chills as one of the most well-known New Zealand groups to date – particularly in the US, UK and Europe. The band have many faithful friends around the world and a new generation (Peter Bjorn and John, Songs, The Go Find, Panda Bear, The Shins et al) are now covering or attempting to emulate The Chills unique sound. A new album is due for release Sept 2018 and a feature film on Martin’s life is now in post-production, due for release 2019.

COLOR PALETTE @ Black Cat 12.22.18

Color Palette – comprised of Jay Nemeyer, Joshua Hunter, Matt Hartenau, Rogerio Naressi, and Maryjo Mattea – is an Indie/Electro/Rock band from Washington, DC. Since their first release, Color Palette has garnered hundreds of press hits worldwide. Press highlights include features in NME Magazine, USA Today, and NPR. Color Palette released their debut full-length album, Vaporwave, in 2016. Color Palette has shared bills with the following notable artists: Charli XCX, The Naked and Famous, Soccer Mommy, Mother Mother, Day Wave, Yumi Zouma, Mr Little Jeans, The Kickback, and Spirit Animal. They will release their second full-length album in 2019.

 
Being a good lit citizen means supporting lit pubs. Donate. Buy. I’m going to show some #AWP17 mags that you need to support… .” Meakin Armstrong (Guernica)
 
The most exciting and adventurous and gutsiest new magazine I’ve seen in years.” Stephen Dixon
 
Refreshing… edgy… classic… compelling.” Flavorwire
 
Progressive….” NewPages
 
Eye-grabbing… fun… bold… inviting… exemplary.” Sabotage
 
 
Eclectic selection of work from both emerging and established writers….” The Washington Post
 
Literary Burroughs D.C…. the journal cleverly takes its name from the The Great Gatsby. F. Scott Fitzgerald….” Ploughshares
 

Proud member of the Council of Literary Magazines and Presses.

 

The Doctor T. J. Eckleburg Review was founded in 2010 as an online and print literary and arts journal. We take our title from F. Scott Fitzgerald’s The Great Gatsby and include the full archives of our predecessor Moon Milk Review. Our aesthetic is eclectic, literary mainstream to experimental. Write hard. We appreciate fusion forms including magical realist, surrealist, meta- realist and realist works with an offbeat spin. We value character-focused storytelling and language and welcome both edge and mainstream writing with punch aesthetics. We like humor that explores the gritty realities of world and human experiences. Our issues include original content from both emerging and established writers, poets, artists and comedians such as authors, Rick Moody, Cris Mazza, Steve Almond, Stephen Dixon, poets, Moira Egan and David Wagoner and actor/comedian, Zach Galifianakis.

Currently, Eckleburg runs online, daily content of original fiction, poetry, nonfiction, translations, and more with featured artwork — visual and intermedia — from our Gallery. We run annual print issues, the Eckleburg Reading Series (DC, Baltimore and New York), as well as, the annual Gertrude Stein Award in Fiction, first prize $1000 and print publication, guest-judged by award-winning authors such as Rick Moody and Cris Mazza. Write hard.

We have collaborated with a number of talented and high profile literary, art and intermedia organizations in DC, Baltimore and New York including The Poetry Society of New York, KGB Bar, Brazenhead Books, New World Writing (formerly Mississippi Review Online), The Hopkins Review, Boulevard, Gargoyle Magazine, Entasis Press, Barrelhouse, Hobart, 826DC, DC Lit and Iowa’s Mission Creek Festival at AWP 2013, Boston, for a night of raw comedic lit and music. We like to promote smaller indie presses, galleries, musicians and filmmakers alongside globally recognized organizations, as well as, our local, national and international contributors.

Over the ashheaps the giant eyes of Doctor T. J. Eckleburg kept their vigil, but I perceived, after a moment, that other eyes were regarding us with peculiar intensity from less than twenty feet away.  —The Great Gatsby, F. Scott Fitzgerald