Near Balconies by Chas Schroeder

chas schroeder

Hurts So Good. Chas Schroeder. The Eckleburg Gallery. 2012.
Hurts So Good. Chas Schroeder. The Eckleburg Gallery. 2012.
To Elliott. Chas Schroeder. The Eckleburg Gallery. 2012.
To Elliott
The Test Is Over. Chas Schroeder. The Eckleburg Gallery. 2012.
The Test Is Over
Something Happened to Me Yesterday. Chas Schroeder. The Eckleburg Gallery. 2012.
Something Happened to Me Yesterday
What's Inside: Genuine Ammunition. Chas Schroeder. The Eckleburg Gallery. 2012.
What’s Inside: Genuine Ammunition
Eye Crosses. Chas Schroeder. The Eckleburg Gallery. 2012.
Eye Crosses

About Chas Schroeder

Chas Schroeder’s body of work explores the intersection of pastoral, urban, and ultimately diaristic sentiments. Employing mixed media and text to reveal the aesthetic possibility inherent in subjects ranging from game animals to misogyny to advertising to colonialism to love, no subject is out of the range of his sincere and deeply curious toying. His signature style is marked by the purposeful use of acrylics, wood, found objects, vibrant spray, stencil work, collage, street techniques and perversely rendered figures (both animal and human) in a fashion that seems to address the anxieties and wonders of modern American life in it’s most exuberant forms.

His influences/ interests include but are not limited to Martin Kippenberger, Elliott Smith, Jenny Holzer, Brett Easton Ellis, street art, rock music, textiles, numbers, drug cultures, high fashion, abstraction, text, world politics, pornography, displacement, architecture, gender bending, transgressive literature, indigenous peoples, graphic design- it is this ability to merge typically unrelated subjects seamlessly that causes Schroeder’s portrayals to serve as viable and current narratives. His art is an intuitive art invested in creator/ viewer pleasure, with an unapologetic dismissal of the canon. His work engages the viewer on a sensory level, thus encouraging a non-threatening discourse.

Chas Schroeder